Dirt – Alice In Chains

Alice In Chains - Dirt  artwork

Dirt

Alice In Chains

Genre: Alternative

Price: $ 9.99

Release Date: September 29, 1992

© ℗ 1992 Sony Music Entertainment Inc.

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Alice + Olivia Unveils Capsule Featuring Artwork of Keith Haring

Alice + Olivia by Stacey Bendet is unveiling a capsule collection featuring the artwork of Keith Haring.
Past Alice + Olivia collaborations include Domingo Zapata, Jean-Michel Basquiat and Donald Robertson. The collection will be available today.
When Bendet was designing the resort 2019 collection, colors such as canary, cherry and cobalt were featured heavily, reminding her of Haring’s work, the company said. His signature, vibrant, fun palette of primary colors embodied Bendet’s creative spirit, which inspired the capsule collection of ready-to-wear and accessories featuring Haring’s trademark dancing figures and prints in patchwork collages.
“I have always been a fan of Keith Haring’s work — the colors and graphics,” Bendet said. “He was also one of the first artists to advance social causes, and I think at this time in our world, it’s especially important to support artists who have made a difference.”
Haring, whose work responded to urban street culture of the Eighties, died in 1990 at the age of 31. He was inspired by the graffiti artists whose marks covered the city’s subway cars.
The Keith Haring x Alice + Olivia capsule collection includes a dancing figures print on a leather jacket, reversible bomber, cardigan, T-shirts, ballgown skirts, a clutch and booties, and a

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Ptah the El Daoud – Alice Coltrane

Alice Coltrane - Ptah the El Daoud  artwork

Ptah the El Daoud

Alice Coltrane

Genre: Jazz

Price: $ 3.99

Release Date: January 1, 1970

© ℗ 1996 UMG Recordings, Inc.

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VOICE/PRESENCE/ABSENCE – Malcolm Angelucci, Chris Caines, Simon Charles, John D’Arcy, Amy Evans, Michael Farrell, Iben Have, Walli Hoefinger, Christiane Hommelsheim, Diane Hughes, Alice Hui-Sheng Chang, Sarah Keith, Ansa Lønstrup, Alessandro Mistrorigo, Claire Nashar, Anne Pender, Christine Piper, Jessie Scott, Yuji Sone, Birgitte Stougaard, Prithvi Varatharajan & Jessica Wilkinson

Malcolm Angelucci, Chris Caines, Simon Charles, John D'Arcy, Amy Evans, Michael Farrell, Iben Have, Walli Hoefinger, Christiane Hommelsheim, Diane Hughes, Alice Hui-Sheng Chang, Sarah Keith, Ansa Lønstrup, Alessandro Mistrorigo, Claire Nashar, Anne Pender, Christine Piper, Jessie Scott, Yuji Sone, Birgitte Stougaard, Prithvi Varatharajan & Jessica Wilkinson - VOICE/PRESENCE/ABSENCE  artwork

VOICE/PRESENCE/ABSENCE

An interdisciplinary dialogue on voice and the humanities

Malcolm Angelucci, Chris Caines, Simon Charles, John D’Arcy, Amy Evans, Michael Farrell, Iben Have, Walli Hoefinger, Christiane Hommelsheim, Diane Hughes, Alice Hui-Sheng Chang, Sarah Keith, Ansa Lønstrup, Alessandro Mistrorigo, Claire Nashar, Anne Pender, Christine Piper, Jessie Scott, Yuji Sone, Birgitte Stougaard, Prithvi Varatharajan & Jessica Wilkinson

Genre: Art & Architecture

Publish Date: November 6, 2014

Publisher: UTS ePRESS

Seller: Belinda Tiffen


Voice/Presence/Absence collects international contributions from academic scholars and practitioners, together with recorded live performances of artists, writers, musicians and poets, creating the space for a discussion on the role of voice in contemporary humanities. Voice/Presence/Absence is conceived as a dialogue: between a variety of interpretive frameworks and definitions of voice; between different objects of study (from contemporary art to post-dramatic theatre, from radio-voices to recorded poetry and audio-books, from pop music to novels, from the voice of trees to the one of birds, etc.) and, most important, between artists, performers and the world of academia.

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Why Does Alice Cooper Have a Girl’s Name? (Original Recording) – Alice Cooper & Ed Hall

Alice Cooper & Ed Hall - Why Does Alice Cooper Have a Girl's Name? (Original Recording)  artwork

Why Does Alice Cooper Have a Girl’s Name? (Original Recording)

Alice Cooper & Ed Hall

Genre: Arts & Entertainment

Price: $ 1.95

Publish Date: August 28, 2018

© ℗ © 2018 One Media iP Ltd

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A Paranormal Evening at the Olympia Paris (Live) – Alice Cooper

Alice Cooper - A Paranormal Evening at the Olympia Paris (Live)  artwork

A Paranormal Evening at the Olympia Paris (Live)

Alice Cooper

Genre: Rock

Price: $ 13.99

Release Date: August 31, 2018

© ℗ 2017 Edel Germany GmbH. earMUSIC is a project of Edel.

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Nightfall – Alice Sara Ott

Alice Sara Ott - Nightfall  artwork

Nightfall

Alice Sara Ott

Genre: Classical

Price: $ 9.99

Release Date: August 24, 2018

© ℗ 2018 Deutsche Grammophon GmbH, Berlin

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Rainier Fog – Alice In Chains

Alice In Chains - Rainier Fog  artwork

Rainier Fog

Alice In Chains

Genre: Rock

Price: $ 9.99

Release Date: August 24, 2018

© ℗ 2018 AIC Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC

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Greatest Hits – Alice In Chains

Alice In Chains - Greatest Hits  artwork

Greatest Hits

Alice In Chains

Genre: Alternative

Price: $ 5.99

Release Date: July 24, 2001

© ℗ 1990, 1992, 1993, 1995 Sony Music Entertainment Inc.

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Alice Marie Johnson Wants to Help Kim Kardashian West Free Other People

[[tmz:video id=”0_vaf9sy9g”]] Alice Marie Johnson was so inspired by Kim Kardashian West’s efforts to spring her from a life prison sentence that she wants to help Kim do the same for others. We spoke with the 63-year-old great grandmother, and she told…

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Kim Kardashian West Will Meet Face-to-Face with Alice Marie Johnson

Kim Kardashian West will come face-to-face with the woman she helped to free from prison … TMZ has learned. Alice Marie Johnson had her life sentence commuted on Wednesday by President Trump after spending 22 years behind bars. Kim championed Alice’s…

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Alice With Nowhere to Land – Grace Eldridge & R.A. Morgan

Grace Eldridge & R.A. Morgan - Alice With Nowhere to Land  artwork

Alice With Nowhere to Land

Spoken Words & Pictures

Grace Eldridge & R.A. Morgan

Genre: Art & Architecture

Publish Date: April 7, 2018

Publisher: Darley Publishing

Seller: R.A. MORGAN


This book is a love letter to those who didn’t make it and to those who did.  We hope that it serves as a beacon to the Alices still drifting, a little light helping to illuminate the often treacherous path to a safe landing. With the voice talents of: PAIGE SYNDER, KRISTINA LLOYD, ALEXANDRA MATHIEU, MILLY IATROU, FERNANDA CHAVES, CHIARA MAYA, BRITTANY FALARDEAU, MICHELLE McALLISTER, SOHANI HOLLAND, LANETT TACHEL, MERCEDES MANNING, MELISSA SULLIVAN, SUSAN SHEARER

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Only Tease – Alice In Wonderland

Only Tease - Lauren Hurley

Today, at Only Tease there’s the blonde cutie, Lauren Hurley in a Alice In Wonderland costume. I think you’ll agree that the story in this video is far more interesting then the original. Lauren makes this fairytale very sexy, doing a sexy strip tease out of the blue and white costume. Underneath she’s wearinga pink bra with matching pink cotton panties. And I’m sure if I didn’t mention her white pantyhose, more than a few of you would be upset with me!

Download and enjoy the full-length movie of this busty blonde in an Alice In Wonderland costume at Only Tease. Without exception, every day Only Tease adds new photo and video galleries of beautiful babes in sexy outfits. As you can see, they cover the wide spectrum of sexy clothing from naughty costumes, erotic uniforms and of course just sensual lingerie!

Time for me to run, I’ve suddenly realized I have a lot of things to do before I leave on Friday and it’s time to get busy!

Only Tease

Journey in Satchidananda – Alice Coltrane

Alice Coltrane - Journey in Satchidananda  artwork

Journey in Satchidananda

Alice Coltrane

Genre: Jazz

Price: $ 6.99

Release Date: January 1, 1971

© ℗ 1997 GRP Records Inc.

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Alice in Wonderland – Lewis Carroll, Voices in the Wind Audio Theatre, Diane Vanden Hoven (adaptation) & Lewis Carroll

Lewis Carroll, Voices in the Wind Audio Theatre, Diane Vanden Hoven (adaptation) & Lewis Carroll - Alice in Wonderland  artwork

Alice in Wonderland

Lewis Carroll, Voices in the Wind Audio Theatre, Diane Vanden Hoven (adaptation) & Lewis Carroll

Genre: Arts & Entertainment

Price: $ 9.95

Publish Date: January 5, 2015

© ℗ © 2015 Blackstone Audio, Inc.

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Alice + Olivia Launches New Denim Brand

A+O LAUNCHES DENIM BRAND: On Thursday, Alice + Olivia by Stacey Bendet will roll out a new denim brand called AO.LA.
AO.LA is a casual-focused sister brand that features a variety of denim styles, silk jacquard kimonos, knit tees, vintage style rocker tees and cropped jackets. The look is reminiscent of the Seventies, but punctuated by modern, edgy details. The collection, which launches with a resort line, will be sold at the 21 Alice + Olivia stores nationwide and its web site and 20 doors of Neiman Marcus and Bergdorf Goodman. The brand will have a separate section that launches Thursday on the Alice + Olivia web site.
AO.LA will be designed in New York and produced in Los Angeles. Retail prices are between $ 198 and $ 295 for denim, $ 135 and $ 150 for tees, and $ 330 and $ 495 for kimonos. The leather jacket retails for $ 1,095.
Among the denim styles are high-rise bell jeans; high-rise exposed button jeans; ankle skinny jeans;  low-rise skinny jeans with studs, and embroidered boyfriend distressed jeans. T-shirts include those with pop iconography, such as Mickey Mouse, The Beatles and David Bowie, and jackets include a combination sweatshirt leather jacket.
The denim styles are named Good, Great, Beautiful, Perfect, Amazing

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Ptah the El Daoud – Alice Coltrane

Alice Coltrane - Ptah the El Daoud  artwork

Ptah the El Daoud

Alice Coltrane

Genre: Jazz

Price: $ 3.99

Release Date: January 1, 1970

© ℗ 1996 UMG Recordings, Inc.

iTunes Store: Top Albums in Jazz

Alice Doesn’t Live Here Anymore – Martin Scorsese

Martin Scorsese - Alice Doesn't Live Here Anymore  artwork

Alice Doesn’t Live Here Anymore

Martin Scorsese

Genre: Drama

Price: $ 6.99

Rental Price: $ 0.99

Release Date: December 9, 1974


Ellen Burstyn ("The Exorcist," "Same Time, Next Year") won the Best Actress Oscar for her performance in this memorable comedy-drama about a widowed mother suddenly forced to take charge of her own life. Director Martin Scorcese ("Cape Fear," "GoodFellas") guides a wonderful cast including the very young future Academy Award-winner Jodie Foster ("Maverick," "The Silence of the Lambs"), singer-actor Kris Kristofferson ("Lone Star," "A Star Is Born") and Oscar-nominees Diane Ladd ("Ramblin' Rose") and Harvey Keitel ("Pulp Fiction"). This classic film served as the basis for the long-running TV comedy hit "Alice."

© © 1974 Warner Bros. All Rights Reserved.

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Practical Magic (Unabridged) – Alice Hoffman

Alice Hoffman - Practical Magic (Unabridged)  artwork

Practical Magic (Unabridged)

Alice Hoffman

Genre: Sci Fi & Fantasy

Price: $ 17.95

Publish Date: November 6, 2012

© ℗ © 2012 Simon & Schuster Audio

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Alice Doesn’t Live Here Anymore – Martin Scorsese

Martin Scorsese - Alice Doesn't Live Here Anymore  artwork

Alice Doesn’t Live Here Anymore

Martin Scorsese

Genre: Drama

Price: $ 6.99

Rental Price: $ 0.99

Release Date: December 9, 1974


Ellen Burstyn ("The Exorcist," "Same Time, Next Year") won the Best Actress Oscar for her performance in this memorable comedy-drama about a widowed mother suddenly forced to take charge of her own life. Director Martin Scorcese ("Cape Fear," "GoodFellas") guides a wonderful cast including the very young future Academy Award-winner Jodie Foster ("Maverick," "The Silence of the Lambs"), singer-actor Kris Kristofferson ("Lone Star," "A Star Is Born") and Oscar-nominees Diane Ladd ("Ramblin' Rose") and Harvey Keitel ("Pulp Fiction"). This classic film served as the basis for the long-running TV comedy hit "Alice."

© © 1974 Warner Bros. All Rights Reserved.

iTunes Store: Top Video Rentals in Romance

Visions of a Life – Wolf Alice

Wolf Alice - Visions of a Life  artwork

Visions of a Life

Wolf Alice

Genre: Alternative

Price: $ 7.99

Release Date: September 29, 2017

© ℗ 2017 RCA Records, a division of Sony Music Entertainment

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The Elements – Joe Henderson & Alice Coltrane

Joe Henderson & Alice Coltrane - The Elements  artwork

The Elements

Joe Henderson & Alice Coltrane

Genre: Jazz

Price: $ 9.99

Release Date: January 1, 1974

© ℗ 2017 Concord Music Group, Inc.

iTunes Store: Top Albums in Jazz

Paranormal – Alice Cooper

Alice Cooper - Paranormal  artwork

Paranormal

Alice Cooper

Genre: Metal

Price: $ 12.99

Release Date: July 28, 2017

© ℗ 2017 Edel Germany GmbH. earMUSIC is a project of Edel.

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Alice Cooper Makes Surprise Appearance At Pre-Show Party In Stockholm

Alice Cooper made a surprise appearance during Motley Crue‘s pre-show appearance at the Hard Rock Caf‚ in Stockholm. Cooper, who’s serving as the support act on the band’s Final Tour, helped out on four songs: “No More Mr. Nice Guy,” “Be My Lover,” “Lost in America” and “School’s Out.” The pre-show event came ahead of the band’s main gig at Stockholm’s Ericsson Globe venue.
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Jennifer Aniston in Talks to Star in TriStar’s ‘What Alice Forgot’


Aniston would play the title character, a 40-year-old amnesiac who thinks she’s still 25 and has the world by the tail.

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After Alice: A Novel (Unabridged) – Gregory Maguire

Gregory Maguire - After Alice: A Novel (Unabridged)  artwork

After Alice: A Novel (Unabridged)

Gregory Maguire

Genre: Sci Fi & Fantasy

Price: $ 17.95

Publish Date: October 27, 2015

© ℗ © 2015 HarperAudio

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Alice-9: Alice Series #2 (Unabridged) – Charles Lamb

Charles Lamb - Alice-9: Alice Series #2 (Unabridged)  artwork

Alice-9: Alice Series #2 (Unabridged)

Charles Lamb

Genre: Sci Fi & Fantasy

Price: $ 23.95

Publish Date: October 7, 2015

© ℗ © 2015 Tantor Audio

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Meet The Little Girl Who Inspired Alice From Disney’s ‘Alice In Wonderland’

Kathryn Beaumont served as the model and inspiration for Alice from Disney’s ‘Alice In Wonderland’
News

Alice Cooper And Joe Perry Mourn Death Of Rock & Roll Chef Kerry Simon

Alice Cooper and Joe Perry are mourning the loss of ‘The Rock and Roll Chef’ Kerry Simon, who passed away at the age of 60 due to rare neurodegenerative disease multiple system atrophy. “He was just comfortable to be with and I think that’s something that rockers look for,” Cooper tells Billboard.
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Alice Cooper, Joe Perry, And Shep Gordon Meet Their New A&R Guy

Alice Cooper, Joe Perry, And Shep Gordon Meet Their New A&R Guy

Alice Cooper, Joe Perry, And Shep Gor… 2:35
Alice Cooper and Joe Perry have started a new supergroup, the Hollywood Vampires. Now their manager, show business legend Shep Gordon, wants the band to meet their new label rep, and they’re in for a shock.
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Alice In Wonderland – Tim Burton

Tim Burton - Alice In Wonderland (2010)  artwork

Alice In Wonderland (2010)

Tim Burton

Genre: Action & Adventure

Price: $ 17.99

Rental Price: $ 2.99

Release Date: March 5, 2010


Tumble down the rabbit hole with Alice for a fantastical adventure! Inviting and magical, Alice In Wonderland is an imaginative new twist on one of the most beloved stories of all time. Alice (Mia Wasikowska), now 19 years old, returns to the whimsical world she first entered as a child and embarks on a journey to discover her true destiny. This Wonderland is a world beyond your imagination and unlike anything you've seen before. The extraordinary characters you've loved come to life richer and more colorful than ever. There's the Mad Hatter (Johnny Depp), the White Queen (Anne Hathaway), the Red Queen (Helena Bonham Carter), the White Rabbit (Michael Sheen) and more. A triumphant cinematic experience, Alice In Wonderland is an incredible feast for your eyes, ears and heart that will captivate audiences of all sizes.

© © 2010 Disney

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Alice: Alice Series #1 (Unabridged) – Charles Lamb

Charles Lamb - Alice: Alice Series #1 (Unabridged)  artwork

Alice: Alice Series #1 (Unabridged)

Charles Lamb

Genre: Sci Fi & Fantasy

Price: $ 23.95

Publish Date: September 16, 2015

© ℗ © 2015 Tantor Audio

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Jeweler Lindsey White Talks Baubles, Blowtorches, and Her Gorgeous Alice + Olivia Crowns

The star of yesterday's Alice and Olivia SS16 presentation was certainly the girly, glamorous clothes, but playing an undeniably important supporting role were the custom, hand-made bronze crowns and arm cuffs created for the brand's…


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Alice Bag Kickstarts Her Return to Recording

Iconic Los Angeles punk rocker Alice Bag (real name Alicia Velasquez) has never stopped creating art and music since the demise of her seminal band The Bags in the early days of the 1980s. She recently created a Kickstarter page to raise $ 8,500. The goal was to finance the recording and release of a vinyl album of material she has wanted to pursue in the studio for many years. The Kickstarter campaign (LINK) commenced on August 24th and was scheduled to run for one month. She needed less than a week to reach her goal.

I caught up with this living legend in the days following the success of the campaign, with a few days left to raise more funds to afford more material to be recorded.

Mat Gleason for the Huffington Post: After many many years being known as Alice Bag you are finally releasing a solo album as Alice Bag – why now?
ALICE BAG: I was approached by Phanie Diaz the drummer for Girl in a Coma and FEA to produce some songs for FEA. I started scouting out studios to record the group and in the process I realized that I really wanted to record my own songs as well.

MGHP: Can you name every band you have been – is it just a highlight reel in your mind or has it become a blur?
ALICE BAG: I can probably name most of them but it would bore you!

MGHP: Why vinyl?
ALICE BAG: I am sentimentally attached to vinyl. I still have records from my teens, I’ve grown accustomed to the warmth and sometimes scratchy sound. I didn’t dream of making a CD or cassette tape, I always dreamed of vinyl.

2015-09-15-1442308836-6157770-Picture34.png
The Bags, 1978
(Pat Bag and Alice Bag), photo credit Louis Jacinto.

MGHP: Can you describe what you want the sound of your new record to be? Will we hear The Bags in it?
ALICE BAG: The Bags’ distinct sound had a lot to do with what each person brought to the mix and as such that sound was unique to that lineup. If you want to know if there will be punk, then I say yes, let there be punk! There will also be other styles of music. For example, I’m recording a song that I originally wrote for Castration Squad and it has a goth-y feel. Another song feels like a weird marriage of rock and samba, weird in a good way. My record will have a good mix of screeching and strings.

MGHP: So you started a kickstarter campaign to raise money – what was your goal and how quickly did you reach it?
ALICE BAG: My Kickstarter goal was $ 8,500, a very modest amount to record and press an album. I tried to keep it bare bones because with Kickstarter it’s all or nothing. If you don’t make your goal, you can’t collect on any of the pledges. I didn’t anticipate the tremendous amount of support I would get.

I did a 30 day Kickstarter and surpassed my goal in 6 days.

I had serious reservations about using a crowdsourcing website because I didn’t want to feel like a musical panhandler. I read Amanda Palmer’s The Art of Asking and it sort of helped me see crowdsourcing as closer to busking than panhandling because there is a premium exchange involved but I was still not convinced until I had a long conversation with my friend, Quetzal, who described the experience as community building.

People made large pledges and one dollar pledges. I did a two dollar Tuesday special. I really wanted to engage people in the process of creating something together. I eventually understood what both Quetzal and Amanda were talking about. As I started reading and responding to the emails people sent with their pledges, I realized that the process of asking, receiving, and thanking fosters a more intimate, one to one connection between artist and audience that doesn’t always happen at live shows and certainly doesn’t happen in the way people typically consume recorded music.

2015-09-15-1442308958-8749167-Picture35.png
Alice Bag at the Hong Kong Cafe, 1978
Photo by Louis Jacinto

MGHP: I’m a fan of your art, You’ve had art up at my gallery and many other places, will your visual art grace your new album? Have you thought that far ahead?
ALICE BAG: Thank you! I wasn’t planning on making my own cover art and truthfully I haven’t thought that far ahead. I did put some of my paintings and sketches up as premiums and I was very happy to see them snapped up quickly. I’m definitely 100% focused on the music for the album at this point in the process.

MGHP: The Bags were featured in the film The Decline of Western Civilization, the most amazing punk documentary ever filmed, and yet, the Los Angeles punk scene was so dynamic back – were there any bands you wish now had been captured in it?
ALICE BAG: The Decline of Western Civilization introduced a lot of people to punk and it was hugely influential. I don’t think the film’s mission was ever to document the early L.A. Punk scene; if that had been the case I would have to call it an epic fail. I’ve been reading a lot of interviews from people involved with the film in different capacities since the DVD release of the documentary. It pisses me off to read unflattering comments about the early Hollywood scene, painting us as wannabes who were mimicking the English scene. I have to ask: where are the English Weirdos? Where are the English Screamers? The Go-Gos and The Slits couldn’t be more different but both of them were groundbreaking on different continents. Don’t try to minimize the importance of the early Hollywood scene by making false comparisons.

MGHP: Penelope Spheeris recently released her “Decline” trilogy in a boxed set – did you watch it or when was the last time you watched the Decline?
ALICE BAG: I’ve always had a tough time watching The Decline but that is mostly personal. My band was falling apart during that time and I think it shows. I went with some friends to see a double bill of The Decline and Desperate Teenage Love Dolls at a theater, maybe ten years ago. That was only the second time I’d seen the film and it was the first time I watched it all the way through. I walked out of the premiere…it was just too sad.

MGHP: Hardcore punk seemed to be a suburbanization of the original punk impulse, which was ethnically and politically diverse, had a strong female presence and was as queer as it was straight – was there a time when you felt the original punk scene you had known was dead and gone and do you lament what replaced it?
ALICE BAG: I think I felt that way around the time The Decline came out back in 1980 and if you’d asked me at that time, I would have said punk was dead. When our intimate little Hollywood punk scene ended I felt ready to walk away. I don’t blame it on hardcore. I think that people who are very creative are naturally restless and crave constant reinvention. I was uninspired by the sameness I was starting to see at our shows so I started pushing in different directions. I don’t lament what came after us, things are cyclical. It does bother me that people have been led to believe that punk is music created for and by white males. Punk’s diverse roots are bound to come to the surface, I will shout it from the roof tops!

2015-09-15-1442309067-8056418-Picture36.png
Alice Bag in Highland Park, 9/10/15, photo by @artdrunkpunk

MGHP: Before the 1980 election, many punk bands in Los Angeles were fixed against Ronald Reagan. Any anti-Trump sentiments heading into 2016 in your new material?
ALICE BAG:I haven’t written any songs about Trump, although the song “Little Hypocrite” was written for another Republican with similar views on immigration. I have a song about Monsanto called Poisoned Seed. When I was little, my parents took me to Disneyland and there was a ride called Adventure Thru Inner Space. Back in the 1960’s, Americans like me were taught to worship the science of the future. We were sold on the Jetsons’ vision of instant meals, created by technology. We had no idea that what started out as a good idea would give us insecticide-laden Frankenfoods and lead to a decline in seed diversity. You don’t need to be a farmer or a scientist to grasp that diversity in nature is a good thing because survival favors diversity.

In Conclusion… Classy enough to thank Kickstarter contributors individually on her FaceBook page but cool enough to shrug off naming all of her accomplishments on the edge of the underground music scene for parts of five decades, Alice Bag is more than survivor: She is a thriver. In a movement that championed self-destruction and took so many of its greats early on, Alice Bag remains the punk pioneer who keeps on keeping on.

All photos copyright the listed photographers and used by permission.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.




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Alice Cooper, Johnny Depp And Friends Write A Musical Toast To Decadence

Their collaborative project The Hollywood Vampires is a rock band, specializing in a macabre kind of historical fiction.

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Journey in Satchidananda – Alice Coltrane

Alice Coltrane - Journey in Satchidananda  artwork

Journey in Satchidananda

Alice Coltrane

Genre: Jazz

Price: $ 5.99

Release Date: December 31, 1970

© ℗ 1997 GRP Records Inc.

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Sister, Sister: Reading Alice Hoffman Then and Now

alice hoffman marriage of opposites

At a party full of fiction writers this past weekend, a girl I met told me that she was fascinated by the friendship between the writers Elizabeth Hardwick and Mary McCarthy, author of the famous 1963 novel of post-college female friendship The Group.

I told her about an email I had just received, from another woman, an old friend of mine, who asked if I could think of any notable famous friendships. Patrick Stewart and Ian McKellen, I shot back. Donald Judd and Dan Flavin, two artists whose bond was so deep (though they eventually fell out) that Judd named his son Flavin for his friend.

Maybe, in retrospect, she was looking for women; thinking critically about female relationships seems to be in the air. “Of course,” the girl I’d just met replied. “We’re living in a post-Ferrante world.”

I knew exactly what she meant: You can’t have eyes and ears and an Instagram account without being aware of the gushing consensus that Italian writer Elena Ferrante’s novels have reinvigorated our reading of intense, complex, resilient female friendships. (“I was interested in recounting how a long friendship between two women could endure and survive in spite of good and bad feelings, dependence and rebellion, mutual support and betrayal,” the elusive Ferrante told Vogue’Megan O’Grady about her protagonists Elena and Lila in a rare interview last August.)

I can only quote O’Grady when it comes to Ferrante, because shamefully, My Brilliant Friend, the first novel in her Neapolitan tetralogy, has sat on my bedside table for the past many months, perpetually skipped over in favor of other, more urgent reading. I’m sure I’ll eventually end up a convert, but cracking the book has begun to feel a bit like eating my vegetables.

My latest excuse has been Alice Hoffman’The Marriage of Opposites, out today, and also featuring a lifelong sister-like friendship. Hoffman is the prolific Boston-based magical realist, whose stories fittingly play to the notion that love—both romantic and platonic—represents a mystical meeting of perfectly paired souls.

It’s been a long time since the publication of an Alice Hoffman novel shook my world. But there was a time when I devoured everything of hers I could find, books dripping with pathos and otherworldly possibility, perfect for humid, buggy summer nights when it was too hot to sleep. I loved them: Illumination Night, a charged tale of several socially isolated Martha’s Vineyard–dwellers that made me long for an island I hadn’t been to since I was a baby; Second Nature, an uncanny story about a single mother who rescues a man raised by wolves from an insane asylum, then falls in love with him.

Hoffman built worlds in which magical creatures lived quiet lives among us, signs and superstitions carried real meaning, human desires were powerful enough to effect the weather. Loneliness, and so many of her characters were lonely, made a person deep; but crushes—a childish word for attractions that Hoffman treated as epic, undeniable, life-altering physical states—were generally requited. Even the freaks were beautiful to someone, a message that landed hard with freakishly tall, hormonal, unlovable adolescent me. I was on the verge of being a teenager, finding it tough to relinquish a childhood love of dragons and Camelot, of Earthsea and Narnia; Alice Hoffman wrote for adults, she wrote about love and sex, but she also wrote about magic.

The novel of hers that I loved best, Practical Magic, was about all of those things, but mostly it was about sisters. I first encountered Practical Magic somewhere between its publication in 1995 (I was twelve) and the release of the Sandra Bullock, Nicole Kidman–starring movie adaptation in 1998, which I greeted with eager anticipation, then when it turned out to be hokey and unworthy, hated vociferously (the soundtrack, though, was excellent).

If the post-Ferrante world is concerned with the sisterhood of female friendship, Practical Magic is concerned with finding friendship with your sister. Sally and Gillian Owens are orphans, raised by two ancient, witchy aunts in a ramshackle Massachusetts house, in a gossipy town where it’s well-known that the Owens women are different. Their shared outcast childhood yields two very dissimilar adults, “Night and Day,” the aunts joke: Gillian is wild, beautiful, irresponsible, and footloose, quick to fall in love and just as quick to run away; Sally is dutiful, quiet, and rooted, the widowed mother of two baby girls by the time she’s in her mid-twenties. By their mid-thirties, the sisters are essentially estranged, until Gillian resurfaces unexpectedly, convinced she’s killed the bad man she most recently loved by administering the wrong dose of nightshade, an herb she hoped would knock him out before he could drink himself violent after dinner.

What do you do when your long lost little sister shows up on your suburban front step, anxiously chain smoking Lucky Strikes, with bruises up her arms, desert sand in her cowboy boots, and a dead man in the Oldsmobile that’s blocking your driveway? In the land of Alice Hoffman, you help her bury him in your backyard, underneath a wilting lilac bush that will suddenly spring back to life, bearing masses of heady flowers that remind everyone who passes by of desires they thought they’d long since stifled.



alice hoffman marriage of opposites

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There are men in this book, too, other than the mean dead one under the lilacs: Gillian falls hard for an impossibly dreamy biology teacher named Ben Fry; Sally for Gary Hallet, the lovelorn investigator who comes to town from Tucson looking for Gillian’s drug-dealing ex. But it’s not romantic love that kept me coming back, summer after summer, to my hardcover with the Dante Gabriel Rossetti oil of a solitary woman holding a pomegranate on the jacket. It’s the story of those diametrically opposed sisters, of their uneasy reunion in adult life. I, too, have a sister. She’s both like me and completely not, and at the moment I first read Practical Magic, she was racing as stubbornly toward adulthood as I was intent on hanging back. I liked the idea that destinies forged in the same fire were linked forever, the notion that even after decades apart, a sister is, for better or worse, like a time machine back to childhood. What’s more magical than that?

“My two biggest regrets in my life are that I did not have a daughter, and I did not have a sister,” Hoffman, who is married with two sons, tells me by phone “For me to write about sisters and daughters is kind of a way to experience what it’s like to live it. Of course, when I’m done writing, I don’t have one . . .”

The Marriage of Opposites is an enveloping, beautifully wrought work of historical fiction that weaves together many strands: there’s a fictionalized portrait of the Impressionist artist Camille Pissarro as a young man in mid-nineteenth-century Paris, revolutionizing the world of art even as he remains financially dependent on his hidebound, conservative mother; the story of his early life as the black sheep son of Jewish merchants on the Dutch island of St. Thomas; the passionate romance of his parents, Frédéric and Rachel, whose forbidden love—he was her late husband’s nephew—is deemed incest by Jewish law; Rachel’s unhappy arranged first marriage to a much older man; her childhood with a disapproving vindictive mother and a progressive but secretive father.

Twenty five novels in (and those are just the ones for adults), in her early sixties, Hoffman is writer enough to pull this ambitious, multi-generational novel off. But peel back the layers and Marriage has all the hallmarks of her earlier work. St. Thomas is a world of magical potions and superstitions, in which a sachet of lavender has the power to lead a traveler back home and three blackbirds outside a bedroom window is a reliable predictor that the room’s inhabitant will soon die. As a girl, Rachel loves fairy tales, particularly a legend that haunts the book, a metaphor for Rachel’s own life, the story of a girl born a turtle to a human mother, raised by a turtle mother, and forever caught between ocean and land. Rachel grows up with Adelle, her family’s maid, like a mother to her, and side by side with Adelle’s daughter, Jestine. As Rachel’s life is shaped by the misogynistic laws of her tight-knit Jewish community, an experience that, over time, shapes her youthful rebelliousness into a chilly rigidity reminiscent of her own mother, Jestine’s lot is determined by the tragic limitations placed on a woman with dark skin in nineteenth-century St. Thomas. But throughout the many eras of this story, the two stay close, celebrating their birthdays as the twins they’re not, helping to birth and raise each other’s children, and finally taking their fates into their own hands, hand in hand (you’ll have to read the book to see what I mean).

“If we had been sisters,” says Rachel, “she would have been the pretty one. I would have been the one who was too smart for her own good, and too bossy.” The marriage in the book’s title refers to the union of Rachel and Frédéric, the marriage that created Camille, the artist who would become known as the father of Impressionism; look at it from another angle, and those opposites could be Rachel and Jestine.

I ask Hoffman if there was a historical basis for including Jestine in the story—she read extensively about Pissarro and his family in order to write this book—but unsurprisingly, the friendship was entirely invented. “Jestine was a complete figment of my imagination,” Hoffman tells me. “But it seemed to me that Rachel would be a woman who should have a best friend. The rest of the world might perceive her as aloof and cold, but there would be somebody she could turn to.”

I’m reminded of a passage in Practical Magic, which I just picked up again, for the thousandth time. “Never presume August is a safe or reliable time of year. It is the season of reversals,” Hoffman wrote. “Avoid men who call you Baby, and women who have no friends, and dogs that scratch at their bellies and refuse to lie down at your feet.” It’s August now, two decades since she published that book, but her advice resonates more than ever.

 

The post Sister, Sister: Reading Alice Hoffman Then and Now appeared first on Vogue.

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Alice In Chains: MTV Unplugged – Alice In Chains

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Alice In Chains: MTV Unplugged

Alice In Chains

Genre: Concert Films

Price: $ 9.99

Rental Price: $ 3.99

Release Date: July 30, 1996


Alice In Chains' raw appearance on MTV Unplugged was their first live show in more than two years, and one of the last with legendary vocalist Layne Staley. This stripped down set features three songs cut from the original broadcast.

© © 1996 Columbia Records, a division of Sony Music Entertainment

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Dennis Dunaway Releases Memoir On Alice Cooper Group Adventures

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My Love Is Cool – Wolf Alice

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My Love Is Cool

Wolf Alice

Genre: Alternative

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Release Date: June 23, 2015

© ℗ 2015 RCA Records, a division of Sony Music Entertainment

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Dirt – Alice In Chains

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Dirt

Alice In Chains

Genre: Alternative

Price: $ 5.99

Release Date: January 1, 1992

© ℗ 1992 Sony Music Entertainment Inc.

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Style Notes: Lindsay Lohan Debuts Lavish Alice Collab; Band of Outsiders Says Goodbye


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Greatest Hits – Alice In Chains

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Greatest Hits

Alice In Chains

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Weezer And Alice In Chains Added To Guitar Hero Live Game

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The Chopin Project (Bonus Track Version) – Ólafur Arnalds & Alice Sara Ott

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The Chopin Project (Bonus Track Version)

Ólafur Arnalds & Alice Sara Ott

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Alice Cooper: Live At Montreux – 2005 – Alice Cooper

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Alice Cooper: Live At Montreux – 2005

Alice Cooper

Genre: Concert Films

Price: $ 12.99

Rental Price: $ 2.99

Release Date: January 1, 2006


Alice Cooper’s live shows are legendary for their sense of rock theater and sheer visual spectacle. This latest addition to our range of titles from the renowned Montreux Festival catches Alice Cooper at his very best. Underpinning the visual assault has always been a collection of some of the best rock songs around delivered by one of the all-time great frontmen. This show includes tracks from across his career right up to most recent album Dirty Diamonds, and incorporating all the classics you would expect.

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How an Instagram “Like” from Artist Alice Lancaster Inspired Calvin Klein Collection’s 2016 Resort

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Artist Alice Lancaster is no stranger to the fruits of the digital age. Her cult favorite Instagram feed, which exists as an unfiltered gallery of her colorful, Fauvist-skewed paintings and self-portraits of her bowish pout, has earned her 11,000 followers and counting, landing her work with labels which have an equally dedicated following—her leather jacket collaboration with Veda, for one. Most recently her handle @ragingleisure caught the eye of the creative director of Calvin Klein Collection, Francisco Costa, whose resort 2016 show included looks inspired by Lancaster’s art.

The virtual union between Lancaster and Costa stemmed from a simple double-tap that occurred at the right time. “I had been following him [Costa] for a while and there was this moment where he posted an image from a runway show. I posted a bunch of hearts on it,” says Lancaster. “I think at the moment he was on his phone and saw the notification, and he quickly went over to my account and saw my work.”

 

A photo posted by Alice Lancaster (@ragingleisure) on

 

A few weeks later, after Lancaster received a like from Costa on one of her black-and-white self portraits, as well as a follow-back, came an email request from Costa’s assistant to for a studio visit, and then an invitation to the fall 2015 show. “I was totally satisfied with him following me, and then having the studio visit, it was like it couldn’t get any better,” says Lancaster. “And then to be invited to his show, that had to be the best ever!” After she attended the show, Lancaster sent Costa a thank-you note with a drawing inside. He called back and asked her to make a large-scale drawing inspired by her original artwork, which eventually became the prints that were shown in the resort 2016 show. “When I first saw Alice’s Instagram, I was really inspired by how unapologetic she is about herself and her work. I love how she exudes this modern, erotic femininity in such a graphic way,” says Costa. “My collection this season is all about being bold and sexy, but in more of an urban way and the prints that were inspired by her work really helped this come to life.”

 

#selfie portrait #coconutoil

A photo posted by Alice Lancaster (@ragingleisure) on

 

As for the clothes, the white cashmere T-shirt dress and black leather jacket are the perfect canvas for Lancaster’s angular interpretations of the female anatomy. But these looks won’t simply sit on the artist’s Instagram—she’ll be bringing the easel to life in her closet, as translated by Costa’s designs. “I can’t wait to wear the white dress!” says Lancaster. “It is something I would totally wear on its own.”

The post How an Instagram “Like” from Artist Alice Lancaster Inspired Calvin Klein Collection’s 2016 Resort appeared first on Vogue.

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Vivienne Westwood Designs Cover for ‘Alice in Wonderland’

WESTWOOD’S WONDERLAND: Vivienne Westwood has teamed with Vintage Classics on a special gift edition of Lewis Carroll’s “Alice in Wonderland” to mark the tale’s 150th anniversary.
Westwood has created a cover that features her harlequin print and an image of Alice. She has also written the introduction to the book and added several pages about her views on capitalism, the environment, sustainable energy and activism to the new edition.
“Kids! Never become complacent,” Westwood wrote in her introduction. “The world we think we know reflects the way we are conditioned to see it. Maybe it’s not like that at all. Carroll is on your side. Always wonder. ‘Alice in Wonderland’ is timeless, but with my cover and endpapers, by adding the ‘climate map’ and the text, ‘end capitalism,’ I have helped fix it in the present moment.”
Carroll’s classic inspired Westwood’s fall-winter 2012 collection and she considers the tale one of her childhood favorites.
“It’s just such genius!” the designer told WWD during a Mad Hatter’s Tea party at her Conduit Street store in London. “It’s so brilliant. It is really subversive of official opinion and official attitudes to children. Our world is the world we make it.”
Westwood also read excerpts from the story to 20 children from various

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Still Alice – Richard Glatzer & Wash Westmoreland

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Still Alice

Richard Glatzer & Wash Westmoreland

Genre: Drama

Price: $ 14.99

Rental Price: $ 4.99

Release Date: January 16, 2015


Alice Howland (Julianne Moore), happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a diagnosis of Early-Onset Alzheimer's Disease, Alice and her family find their bonds thoroughly tested. Her struggle to stay connected to who she once was is frightening, heartbreaking, and inspiring. Also starring Kristen Stewart, Kate Bosworth, Alec Baldwin and Hunter Parrish.

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Songs We Love: Wolf Alice, ‘Bros’

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“Still Alice” co-director dies of ALS

Richard Glatzer, co-director of film “Still Alice” starring Julianne Moore in her Oscar winning role, dies of ALS at age 63. Holly Rubenstein reports.


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‘Still Alice’ Writer-Director Richard Glatzer Dead At 63

LOS ANGELES (AP) — Richard Glatzer, who co-wrote and directed the Alzheimer’s drama “Still Alice” alongside his husband, Wash Westmoreland, while battling ALS, died Tuesday in Los Angeles. He was 63.

Diagnosed in 2011 with ALS, also known as Lou Gehrig’s Disease, the pair took on the project of “Still Alice” in a very early stage of Glatzer’s disease. During the 23-day shoot, Glatzer communicated with one finger using a text-to-speech app on his iPad. By the time of the press tour for the film in late 2014, Glatzer was only able to communicate by typing on the device with his big toe.

Their film earned star Julianne Moore her first Oscar for her portrayal of an academic suffering from early onset Alzheimer’s. Unable to attend the ceremony, Glatzer watched Moore’s win Feb. 22 from a hospital, where he had been taken two days prior for respiratory problems. Westmoreland watched by his side.

“I am devastated. Rich was my soul mate, my collaborator, my best friend and my life,” Westmoreland said in a statement Wednesday. He added that he takes consolation in the fact that Glatzer saw “Still Alice” delivered to the world.

“Richard was a unique guy— opinionated, funny, caring, gregarious, generous, and so, so smart. A true artist and a brilliant man. I treasure every day of the short twenty years we had together,” he said. “I cannot believe he has gone. But in my heart and the hearts of those who loved him he will always be alive.”

A New York native, Glatzer started out his career in academia, earning a doctorate in English from the University of Virginia before turning his attentions entirely to film and television.

He met Westmoreland in 1995. The couple collaborated on four films as co-writers and directors, including the 2006 Sundance Grand Jury Prize and Audience winner “Quinceañera.”

Glatzer also worked on a number of television shows including “Road Rules,” ”Divorce Court” and “America’s Next Top Model.”

But it was “Still Alice” that seemed to be Glatzer’s crowning achievement.

“It’s ironic that in my deteriorated state I’d be able to make a film that was creatively everything I’d ever wished for,” Glatzer reflected to The Associated Press in late 2014 while promoting the film.

The parallels between Glatzer and their lead character’s degenerative diseases helped to inform the adaptation of author Lisa Genova’s best-seller.

“Many of the neurological appointments that Alice had in the book echoed appointments that Richard had had when they were testing to see if he’d had a stroke — like what’s today’s date, where are we, all that stuff. It was eerily similar,” Westmoreland said during the same interview.

“Rich is an incredibly strong person, and never let the disease get him down. He always wanted to keep life as normal as possible,” he added.

Moore was particularly moved by the similarities and how Glatzer’s condition made the story much more personal and emotional.

“It’s about the universality of our own experience and what we care about and that we all live and we all love and we all are going to go away some day. To look at that and to really examine that, but to also be present in it, is kind of an extraordinary thing to do. I think that’s what Wash and Rich are doing with this movie,” she said.

While the logistics of co-directing a film while suffering from ALS proved challenging, the entire production was committed to supporting Glatzer throughout.

“We had a little personal agreement that Richard has to be heard, even if it’s inconvenient, even if it’s longer to wait,” Westmoreland said.

Glatzer, who was in good spirits sitting next to Westmoreland, also weighed in.

“I felt very much heard by everyone, every day. And it’s so very important if you’re struggling with a disease like this to feel you still matter,” Glatzer said.

In addition to Westmoreland, Glatzer is survived by his daughter, Ruby Smith; his sister, Joan Kodner, and her husband, David; and his nieces and nephews.
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KCRW Presents: Wolf Alice

Watch the North London four-piece showcase their tougher, grittier rock sound.

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Alice Cooper on Playing With Johnny Depp: ‘He Never Makes It About Him’

Alice Cooper has performed with Johnny Depp several times over the past couple of years, building a friendship and musical bond at various gigs, and the shock rocker tells Rolling Stone he’s always impressed by the actor’s lack of ego.

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Last Call (Unabridged) – Alice Clayton

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Last Call (Unabridged)

Alice Clayton

Genre: Romance

Price: $ 4.95

Publish Date: January 6, 2015

© ℗ © 2015 Simon & Schuster Audio

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Alice + Olivia Pre-Fall 2015

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A Salute to Alice From The Brady Bunch, a Role Model for Sassy Single Women

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Alice Cooper praises Lady Gaga and theatricality of female pop singers

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