Aldridge’s 56 highlight Spurs’ offensive fireworks

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Supreme Court to Weigh In on Offensive Trademarks

The U.S. Supreme Court agreed to hear a new case that will determine if the government can deny trademark protection to words or phrases it deems vulgar. The decision will have far-reaching implications for what should be protected as free speech under the First Amendment.
The case in question, Lancu vs. Brunetti, involves Los Angeles-based clothing brand “FUCT.” Founder Erik Brunetti applied for trademark protection of the name in 2011, but was denied. Attorneys at the United States Patent and Trademark Office nixed his application on the basis that the phrase was “immoral” and “scandalous.”
The USPTO’s Trademark Trial and Appeal Board affirmed the decision, finding that the apparel company displayed “strong, and often explicit, sexual imagery that objectifies women and offers degrading examples of extreme misogyny.”
But the U.S. Court of Appeals for the Federal Circuit reversed the decision.
Now the country’s highest court will have to consider whether the Lanham Act, which governs trademarks in the U.S., is lawful and should be allowed to continue blocking trademark protection to brands it finds offensive.
FUCT could not immediately be reached for comment.

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Kylie Jenner And Nicky Hilton Wore Some Pretty Offensive Halloween Costumes This Year

Well, there’s always someone who shows up to a Halloween party in a racist or offensive costume — this year it was Kylie Jenner and Nicky Hilton. 

On Saturday, Jenner shared a video of herself decked out in her “Eskimo” costume that she wore to a party on Friday night. Never mind the fact that “Eskimo” is generally considered a slur, the Inuit and Alaska Natives are real people, not costumes. 

Eskimo @styledbyhrush @tokyostylez

A video posted by King Kylie (@kyliejenner) on

 While the 18-year-old later switched up the caption on another photo to “Snow Princess,” we’re not buying it.  Someone probably should have told Jenner she would have been better off dressing as the vampire zombie she plays in Tyga’s “Dope’d Up” video.

A photo posted by King Kylie (@kyliejenner) on

Meanwhile, Nicky Hilton apparently learned nothing from the time her sister Paris attended a Halloween party at the Playboy mansion dressed as a “sexy Indian.” The younger Hilton sister also doesn’t seem to care that Native Americans and First Nations are real people with a real culture and therfore not a costume, because she turned up to the Casamigos Tequila Halloween Party on Friday night in this:

For more racist Halloween costumes you’ll want to avoid this year, next year and all future Halloween parties, click here if you don’t have the common sense not to offend people already. 

 

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— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.




Entertainment – The Huffington Post
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Kylie Jenner And Nicky Hilton Wore Some Pretty Offensive Halloween Costumes This Year

Well, there’s always someone who shows up to a Halloween party in a racist or offensive costume — this year it was Kylie Jenner and Nicky Hilton. 

On Saturday, Jenner shared a video of herself decked out in her “Eskimo” costume that she wore to a party on Friday night. Never mind the fact that “Eskimo” is generally considered a slur, the Inuit and Alaska Natives are real people, not costumes. 

Eskimo @styledbyhrush @tokyostylez

A video posted by King Kylie (@kyliejenner) on

 While the 18-year-old later switched up the caption on another photo to “Snow Princess,” we’re not buying it.  Someone probably should have told Jenner she would have been better off dressing as the vampire zombie she plays in Tyga’s “Dope’d Up” video.

A photo posted by King Kylie (@kyliejenner) on

Meanwhile, Nicky Hilton apparently learned nothing from the time her sister Paris attended a Halloween party at the Playboy mansion dressed as a “sexy Indian.” The younger Hilton sister also doesn’t seem to care that Native Americans and First Nations are real people with a real culture and therfore not a costume, because she turned up to the Casamigos Tequila Halloween Party on Friday night in this:

For more racist Halloween costumes you’ll want to avoid this year, next year and all future Halloween parties, click here if you don’t have the common sense not to offend people already. 

 

Also on HuffPost:

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.




Style – The Huffington Post
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Tony The Tiger Helps Sex Worker In Grrreatly Offensive Prank Video

Tony the Tiger typically helps young kids seize the day in his Frosted Flakes cereal ads. But a new prank video shows the cartoon mascot helping a distressed sex worker hook new customers.

In the video, which surfaced online Wednesday, two men argue about which one of them will patronize a 43-year-old sex worker named Candy.

“You can ride the baloney pony,” a man says as he counts a fistful of money in front of Candy.

“You can have her,” says the man’s unimpressed friend.

“No, I don’t want her,” replies the man with the money. “You’re stuck with her.”

The video cuts to a depressed Candy, who is walking down the street alongside her cereal pimp, who apparently has a position on sex work: “It’s gr-e-e-a-t!”

“I don’t care Tony, it’s such a stupid job anyway,” Candy tells the sugar-coated-cereal-pushing cartoon tiger.

Tony assures Candy she’ll “show them” and then encourages her to eat a “complete breakfast with my vitamin packed frosted flakes” and promises they’ll “bring out the tiger” in her: ”They’re grrrrreat.”

The video, which you can watch above, only gets more offensive from there. As tasteless as it may be for some, the video is apparently part of a larger prank. It appears to have originated from a new website called tonyisback.com, which as adweek.com points out, does a good job of mimicking the real Kellogg’s website.

“I’ve helped so many kids to solve their everyday problems over the years,” reads a statement on the website. “I contacted ten people who were children 30 years ago in my Frosted Flakes commercials, and asked them what their problems are now in their 40’s. See how I helped them!”

The website promises additional videos will be forthcoming.

“Wait till you see tomorrow’s video,” reads a message on the website. “It’s even better than Candy’s.”

The creators of the site did not immediately respond to a request for comment from The Huffington Post.

However, the Kellogg Company did confirm Tony is not a sugar daddy.

“The website and video have absolutely nothing to do with Kellogg,” the company said in a statement emailed to The Huffington Post. “Tony is a beloved icon and we will protect the integrity of our brands and our characters.”

 

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— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.




Comedy – The Huffington Post
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A Q&A To Help Paula Deen Understand Why Her Photo Was Incredibly Offensive

A Q&A To Help Paula Deen Understand Why Her Photo Was Incredibly Offensive

A Q&A To Help Paula Deen Understand W…
Television cooking personality and known racist Paula Deen tweeted a photo of her and her son dressed as Lucy and Desi. What would have been a cute pic was ruined by the fact that her son was in black face. We did a quick Q&A with Paula to explain why that is very, very bad.
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Views: 15,212

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Seinfeld’s Most Offensive Set

Seinfeld's Most Offensive Set

Seinfeld's Most Offensive Set 0:47
Shocking Seinfeld set infuriates audience.
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Views: 984

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Iggy Azalea Cancels Pittsburgh Pride Performance, Apologizes For Offensive Comments

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Chris Pratt Is Already Apologizing for Anything Offensive He Might Say During Jurassic World Press Tour: ”I Am Just Dumb”

Chris PrattChris Pratt is taking all the necessary precautions to have a smooth press tour.

The actor hilariously took to his Facebook page tonight to write out a lengthy apology to fans. For what,…


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Atlanta’s Mo’Dest Volgare Serves the Most Offensive Holiday Drag Performance (NSFW VIDEO)

If you’re not offending somebody, you can’t call it “drag.” Cross dressing in any form flies in the face of so many societal expectations around gender, sexuality, and the symbols we use to express them. Drag queens take the offense of cross dressing and amplify it to an art form; the best queens try to shock as many people as possible through their performances. Every queen has a scat number, an off-color celebrity impersonation, and a lewd striptease. The cheery mainstream drag represented by RuPaul does not represent the true grassroots drag seen in clubs. Drag is punk rock done up in a wig and heels. It flips off the status quo with elegance and grace.

At the season finale of Dragnificent, Atlanta’s premier drag competition, I saw the most offensive number I believe exists. Celeste Holmes, host of Dragnificent, introduced the performer by telling the audience, “You are not prepared for this.” Celeste has been performing drag for three decades, and she said Mo’Dest Volgare‘s number was the wildest, most offensive piece of drag she had ever seen. I was dubious. I’d seen drag queens do Anne Frank, Helen Keller, and shit-stained fisting numbers. To shock me would take a ballsy performance.

Celeste was right. I was not prepared for Mo’Dest’s number.

The curtain opened up with Mo’Dest as the Virgin Mary kneeling before the angel Gabriel (played by Lola Bundy). Gabriel announces Mary’s impending pregnancy. Mary proclaims her desire to be God’s servant. Mo’Dest begins her lip sync: “Baby Daddy” by jazz vocalist Lil Armstrong. God walks in with a foot-long dong protruding from his robe. The Virgin Mary drops to her knees and begins to serve her gracious savior with professional deepthroat head. She rises to face the audience and reveals an extremely realistic pussy underneath her gown. Mary does not look like a virginal girl down there at all.

As Lil Armstrong wails on about the joys of “Baby Daddy” and “Big Daddy” making everything all right, Mary lies back while God pounds her with his big, heavenly dick. Mo’Dest shows us everything we wanted to know about the Immaculate Conception; she makes Mary’s innocent story a lurid and titillating tale of celestial intercourse.

The second half of Bible Tales by Mo’Dest Volgare gives us a more objective account of the birth of our lord and savior Jesus Christ.

A very pregnant Mary gallops on stage riding a wooden horse; her pubic hair waves in the breeze. “Baby Daddy” by M$ ney comes on, and Mo’Dest starts her lip sync: “I don’t need a job. I need a baby daddy to pay for my Louis and Gucci bag habit. … Imma have this baby. This if fucking payday!” The song and Mo’Dest’s urban-stripper attitude cast the holy mother in an entirely new light.

Once Mary makes it to the stable, she lies back on a bale of hay as Joseph serves as midwife. He reaches deep into Mary and pulls out a large, naked (living) baby Jesus, covered in amniotic fluid, with an umbilical cord hanging out of him. Mo’Dest takes the umbilical cord as a leash and finishes her lip sync; her creamy thighs are covered in blood, and her vulva still hangs out for everyone to see.

This number captures what I love about drag and the spirit of Mo’Dest Volgare so well. When I see this performance, I see a young gay man taking the frustrations and hardships of his life and turning them into a spectacle of depraved humor. Mo’Dest came from a very conservative, Christian, suburban, middle-class, white family. When he came out to them, he was disowned for his sinful ways. As a young man today, Mo’Dest lives the life of urban Atlanta poverty; food stamps, taking public transit, living in dangerous areas, and struggling to survive have been part of his life for years. Mo’Dest’s appropriation of the music, dance, symbols, and attitude of hip-hop is an expression of class solidarity, even if some perceive it as racially insensitive. The joy Mo’Dest has performing this number is palpable; it’s as if this unholy extravaganza removes years of negativity from her soul.

Mo’Dest’s interpretation of the Virgin Birth shows audiences exactly who Mo’Dest is: a strong performer willing to take on the fables of religion, even if it means pissing off the audience. Mo’Dest has consistently used the styles of urban black culture in her outfits, wigs, music, and attitude; this is both daring and truthful to the life she lives. She is a highly political, controversial queen channeling her struggles into conceptual drag, and that is why I love her. In the religious, racially divided South, a ‘hood-style Mary getting knocked up by God, bleeding on stage, and singing about Jesus as a payday might possibly offend everyone in the audience; this is what Mo’Dest lives for.

I would argue that the more people you offend with your drag, the more successful you are as a performer. Unfortunately, this was not the view of the judges of this cycle of Dragnificent. Mo’Dest received third place behind Chyna White and winner Jazelle. But when it comes to exemplifying the depraved catharsis possible through drag, Mo’Dest is always the winner.
Gay Voices – The Huffington Post

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Casting Company Apologizes for Offensive ‘Straight Outta Compton’ Casting Call

The company behind a casting call that caused an uproar is saying sorry.In a casting call for the NWA biopic “Straight Outta Compton,” Sande Alessi…
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