Remastered Beatles Abbey Road album to be released

Universal Music Group (UMG) announced on Thursday (August 8) that it will be releasing a 50th anniversary edition of the Beatles’ “Abbey Road”. It is the first time the iconic album has been remixed.


Reuters Video: Entertainment

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‘Come together!’: Beatles’ Abbey Road turns 50

Thursday marks five decades since a photographer took that image of the Beatles crossing London’s Abbey Road. It’s now one of the most iconic images in music history as well as one of the most imitated.


Reuters Video: Entertainment

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Take Camming on the Road

With all kinds of mainstream social media apps like Facebook, Instagram and Snapchat letting you stream live to your followers, it’s not very surprising that cam sites are offering models the option to stream on the platform directly from their mobile phones as well.
XBIZ.com – Opinion

The Playlist: The Unstoppable ‘Old Town Road,’ and 11 More New Songs

Hear tracks by King Princess, Rick Ross and Drake, Four Tet and others.
Rock Music
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The End of the Road (Abridged) – Tom Bodett

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The End of the Road (Abridged)

Tom Bodett

Genre: Comedy

Price: $ 7.99

Publish Date: July 5, 2000

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Abbey Road (Remastered) – The Beatles

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Abbey Road (Remastered)

The Beatles

Genre: Rock

Price: $ 7.99

Release Date: September 26, 1969

© This Compilation ℗ 2009 Calderstone Productions Limited (a division of Universal Music Group)

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The Country-Rap Song Taking Over Nashville? It Isn’t ‘Old Town Road’

Billboard removed Lil Nas X’s “country trap” record from a country chart. So why did Blanco Brown’s “trailertrap” song “The Git Up” make it to No. 1?
Rock Music
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Road Chronicles: Live! – Supersonic Blues Machine

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Road Chronicles: Live!

Supersonic Blues Machine

Genre: Blues

Price: $ 9.99

Release Date: July 12, 2019

© ℗ 2019 Mascot Label Group/Provogue

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The Road – Cormac McCarthy

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The Road

Cormac McCarthy

Genre: Sci-Fi & Fantasy

Price: $ 16.99

Publish Date: January 1, 2006

© ℗ © 2006 Recorded Books

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The Broken Road (Unabridged) – Richard Paul Evans

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The Broken Road (Unabridged)

Richard Paul Evans

Genre: Romance

Price: $ 3.99

Publish Date: May 2, 2017

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Road to Peace – Piper Davenport

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Road to Peace

Piper Davenport

Genre: Contemporary

Publish Date: June 3, 2018

Publisher: Trixie Publishing, Inc.

Seller: Trixie Publishing, Inc.


18+ for language and sexual content! Widowed young, Maisie Mann was left to raise her daughter alone. Now, nine years later, she thinks she might have life as a single mom mastered…until her car breaks down on the wrong side of town. All she requires is a little roadside assistance and she’ll be on her way. But when her help comes in the form of a gruff but alluring biker, it sparks emotions she hasn’t experienced since her husband died.  Connor ‘Hatch’ Wallace is nobody’s hero. The Sergeant-at-Arms for the Dogs of Fire MC has a bitter past and has sworn off anyone threatening his independence. But fate has other ideas.  Maisie has no intention of getting involved with a man like Hatch and, despite her overwhelming attraction to him, pushes him away… until her life, and that of her child, are threatened. Is Maisie’s only chance of survival in the hands of a badass biker?  Will Hatch be able to put aside his past and protect a woman and her daughter at the risk of losing everything?

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The Road Leads Back – Marci Bolden

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The Road Leads Back

Marci Bolden

Genre: Fiction & Literature

Publish Date: February 23, 2019

Publisher: Pink Sand Press

Seller: Pink Sand Press LLC


Sometimes the only place left to go is home. Kara Martinson always thought her high school crush was out of her league, but they did share one night she’s never been able to forget. Nearly three decades after being disowned by her parents and forced to raise her son on her own, Kara’s made it—her art is being toasted at a gallery opening. Even better, she and her son are finally on stable ground. Until Mr. One-Night Stand himself crashes her party.   Harry Canton always knew Kara would make it as an artist. Almost thirty years after high school, he still considers her the one that got away. But the surprise reunion doesn’t quite go to plan when Harry discovers he left her with more than just memories when he went away to college. Desperate to connect with the family he never knew existed, Harry convinces his son to move cross country for a fresh start with his father—and pleads with Kara to come home, too. Kara hasn’t stepped foot in their hometown since the day she was sent away. But her son desperately wants the father he never had and denying him that may cost her everything. Can love heal old heartaches so Harry and Kara can have a second chance at the future they were robbed of so long ago? Or will the pain of the past be too much to face?

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Goodbye Yellow Brick Road (Remastered) – Elton John

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Goodbye Yellow Brick Road (Remastered)

Elton John

Genre: Rock

Price: $ 6.99

Release Date: October 5, 1973

© ℗ 2014 This Record Company Ltd.

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Center Point Road – Thomas Rhett

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Center Point Road

Thomas Rhett

Genre: Country

Price: $ 11.99

Release Date: May 31, 2019

© ℗ 2019 Big Machine Label Group, LLC

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Open Road (feat. Russ Freeman) – The Rippingtons

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Open Road (feat. Russ Freeman)

The Rippingtons

Genre: Jazz

Price: $ 9.99

Release Date: March 22, 2019

© ℗ 2019 Peak Records & Entertainment One U.S., LP

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One for the Road – The Kinks

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One for the Road

The Kinks

Genre: Concert Films

Price: $ 9.99

Rental Price: $ 3.99

Release Date: December 31, 2017


Recorded in Providence, RI in 1979, "One For The Road" captures The Kinks at their peak. Playing songs from their early British Invasion catalog and their iconic album "Low Budget," this high energy set is vintage rock n' roll and pure fun.

© © (C) 2017 Kinks Properties Limited under exclusive license to Sony Music Entertainment

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Legion of doom: Portland becomes the latest victim of the road Warriors

The Warriors’ 18-point comeback in Game 3 shows how hard they are to beat, even when they’re on the road.
www.espn.com – TOP
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DJ Khaled ft. SZA “Just Us,” Lil Nas X ft. Billy Ray Cyrus “Old Town Road” & More | Daily Visuals 5.17.19

Lil Nas X

Source: Lil Nas X / Columbia Records

At the stroke of midnight of May 17, DJ Khaled released his latest star studded album Father of Asahd and with it came two new videos, the highly anticipated Nipsey Hussle & John Legend assisted “Higher,” and the SZA featured “Just Us.”

While “Higher” was moving viewers to tears with Nipsey living and breathing in his old hood in LA, the SZA starring “Just Us” will surely give heads an adrenaline rush as she gets her 300 on and slices and dices her foes in a 480 B.C. battlefield. Khaled meanwhile was enjoying the life of a king and finds himself laying with many women. Once again a woman saves the day.

Lil Nas X meanwhile finally brings life into the remix of his surprise hit “Old Town Road” and in the celebrity filled comedic clip to the Billy Ray Cyrus featured song finds himself as a cowboy from the 1800’s making his way to 2019 via a wormhole. Pretty entertaining joint.

Check out the rest of today’s drops including work from Young Dolph, Polo G, and more.

DJ KHALED FT. SZA – “JUST US”

LIL NAS X FT. BILLY RAY CYRUS – “OLD TOWN ROAD REMIX”

BIRDMAN & JUVENILE – “BROKE”

YOUNG DOLPH – “CRASHIN’ OUT”

POLO G – “DEEP WOUNDS”

OPEN MIKE EAGLE & FATHER – “LIT”

YUNA FT. G-EAZY – “BLANK MARQUEE”

LEBRAA DEVILLE – “T UP”

The Latest Hip-Hop News, Music and Media | Hip-Hop Wired

Cross Road – Bon Jovi

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Cross Road

Bon Jovi

Genre: Pop

Price: $ 5.99

Release Date: October 18, 1994

© A Mercury Records release; This Compilation ℗ 1994 UMG Recordings, Inc.

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The Road Less Traveled – EP – Keisha Renee

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The Road Less Traveled – EP

Keisha Renee

Genre: Country

Price: $ 4.99

Release Date: April 30, 2019

© ℗ 2019 Keisha Renee

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Hip Hop Week In Review: Beyoncé Netflix Special Makes Huge Debut & Dave East Calls “Old Town Road” Wack

Plus, exclusive interviews with 03Greedo, DJ Premiere and Russell Simmons.


HipHopDX News

Baylor, Kim Mulkey complete long road back with NCAA championship

After a series of heartbreaks and six seasons ending in disappointment, Baylor and coach Kim Mulkey returned to the top with their third NCAA title.
www.espn.com – TOP
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Open Road (feat. Russ Freeman) – The Rippingtons

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Open Road (feat. Russ Freeman)

The Rippingtons

Genre: Jazz

Price: $ 9.99

Release Date: March 22, 2019

© ℗ 2019 Peak Records & Entertainment One U.S., LP

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Sunshine Road – Owen Campbell

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Sunshine Road

Owen Campbell

Genre: Blues

Price: $ 8.97

Release Date: July 1, 2011

© ℗ 2011 La Ville Records via DiGiDi.org

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Peter Doherty & The Puta Madres – Fort Road Yard, Margate 14.02.2019 Live Review

Contactmusic Ltd | Latest 40 posts

Hundreds of Men are waiting for You!

See the Gear NASCAR Teams Take On the Road

Kevin Harris from Joe Gibbs Racing shows off all the gear NASCAR teams take on the road to support their cars and drivers. From shape-shifting pit boxes to haulers with 17,000 lb. loads, find out what the pit crews, mechanics and staff travel with every week.
WIRED Videos

Down the Road – EP – Josh Journeay

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Down the Road – EP

Josh Journeay

Genre: Country

Price: $ 4.95

Release Date: February 12, 2019

© ℗ 2019 Josh Journeay

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Vengeance Road – Christine Feehan

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Vengeance Road

Christine Feehan

Genre: Romance

Price: $ 18.99

Publish Date: January 29, 2019

© ℗ © 2019 Recorded Books

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The Road – Cormac McCarthy

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The Road

Cormac McCarthy

Genre: Sci Fi & Fantasy

Price: $ 14.99

Publish Date: January 1, 2006

© ℗ © 2006 Recorded Books

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The Road Chosen – Ryan McGarvey

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The Road Chosen

Ryan McGarvey

Genre: Blues

Price: $ 9.99

Release Date: November 4, 2014

© ℗ 2014 Ryan McGarvey

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Road to Success: The Classic Guide for Prosperity and Happiness – Benjamin Franklin, Florence Scovel Shinn, James Allen, Joseph Murphy, Lao Tzu, Marcus Aurelius, Napoleon Hill, Sun Tzu, Various Authors & Wallace D. Wattles

Benjamin Franklin, Florence Scovel Shinn, James Allen, Joseph Murphy, Lao Tzu, Marcus Aurelius, Napoleon Hill, Sun Tzu, Various Authors & Wallace D. Wattles - Road to Success: The Classic Guide for Prosperity and Happiness  artwork

Road to Success: The Classic Guide for Prosperity and Happiness

Benjamin Franklin, Florence Scovel Shinn, James Allen, Joseph Murphy, Lao Tzu, Marcus Aurelius, Napoleon Hill, Sun Tzu, Various Authors & Wallace D. Wattles

Genre: Theater

Publish Date: December 12, 2018

Publisher: CDED

Seller: Bookwire GmbH


The road to your success is not a highway. You have to create it as you go. This collection of 10 classic self-help books was built for people willing to achieve the incredible journey of life with a certain dose of success. CONTENTS: 1. Benjamin Franklin – The Way to Wealth 2. Florence Scovel Shinn – The Game of Life and How to Play It 3. James Allen – As A Man Thinketh 4. James Allen – From Poverty to Power 5. Joseph Murphy – The Power of your Subconscious Mind 6. Lao Tzu – Tao Te Ching 7. Marcus Aurelius – Meditations 8. Napoleon Hill – Think and Grow Rich 9. Sun Tzu – The Art of War 10. Wallace D. Wattles – The Science of Getting Rich

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The High Road (2018) – JoJo

JoJo - The High Road (2018)  artwork

The High Road (2018)

JoJo

Genre: R&B/Soul

Price: $ 9.99

Release Date: December 20, 2018

© ℗ 2018 Clover Music LLC Recordings

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Warriors end road trip with another one of their patented messages

Golden State shut down Milwaukee, flashing scary potential for a team that will be adding Draymond Green and DeMarcus Cousins very soon.
www.espn.com – TOP
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The Long Dumb Road – Hannah Fidell

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The Long Dumb Road

Hannah Fidell

Genre: Comedy

Price: $ 14.99

Rental Price: $ 5.99

Release Date: November 9, 2018


From writer-director Hannah Fidell (A Teacher, 6 Years) and co-writer Carson Mell ("Silicon Valley," "Tarantula") comes a comedy of transformation, discovery and maturity set on the road between Austin and Los Angeles. When college-bound teenager Nat (Tony Revolori) offers itinerant 30-something mechanic Richard (Jason Mantzoukas) a ride during a stop-over in small-town Texas, neither one realizes the indelible impact each traveler will have on his respective journey. Nat, an aspiring photographer, is heading towards a bright future in art school in Los Angeles and wants to find the real America en route to new beginnings out West; Richard, a lovably unkempt motormouth, is simply looking for connection in the moment — and maybe a beer or ten — while he grapples with indecision, past mistakes and dead-ends. As they travel through the American Southwest, taking in picturesque towns and crossing paths with an assortment of old flames, fellow travelers, kooky cons, and good Samaritans, both passengers come alive through the myriad possibilities of the open road. Finding connection, comfort and chaos in their shared journey, this improbable and unforgettable screen duo forges an epic bond few will forget.

© © 2018 The Long Dumb Road, LLC. All Rights Reserved.

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Down the Road Wherever (Deluxe) – Mark Knopfler

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Down the Road Wherever (Deluxe)

Mark Knopfler

Genre: Rock

Price: $ 11.99

Release Date: November 16, 2018

© A British Grove Records / Virgin EMI Records release; ℗ 2018 Will D. Side Limited, under exclusive license to Mercury Records Limited

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Road Goes All Night – Dirtwire

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Road Goes All Night

Dirtwire

Genre: Blues

Price: $ 5.94

Release Date: November 13, 2018

© ℗ 2018 Beats Antique Records

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Road to Morocco – David Butler

David Butler - Road to Morocco  artwork

Road to Morocco

David Butler

Genre: Comedy

Price: $ 4.99

Release Date: November 1, 1942


Like Webster's dictionary, Bob Hope, Bing Crosby and Dorothy Lamour are "Morocco-bound" in the third rollicking entry in their popular series of Road comedies. Survivors of a Mediterranean shipwreck, stowaways Jeff (Crosby) and Orville (Hope) paddle to a North African shore and hitch a camel ride across the desert to Morocco. In order to buy food, Jeff sells Orville into slavery – but Orville's owner turns out to be the luscious Princess Shalmar (Lamour), who quickly offers to become his wife. Unfortunately, the true reason for the Princess' proposal soon becomes clear. Her prophet has warned that her first husband will meet a violent death within days of their marriage! An Oscar nominee for Best Original Screenplay, Road to Morocco is highlighted by Bing's rendition of one of his best-loved songs, the unforgettable "Moonlight Becomes You."

© © 1942 Paramount Pictures. Renewed 1969 EMKA. All Rights Reserved.

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Songs from the Road – Joanne Shaw Taylor

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Songs from the Road

Joanne Shaw Taylor

Genre: Blues

Price: $ 11.99

Release Date: November 5, 2013

© ℗ 2013 Ruf Records GmbH

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Thunder Road – Jim Cummings

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Thunder Road

Jim Cummings

Genre: Comedy

Price: $ 9.99

Rental Price: $ 4.99

Release Date: October 12, 2018


Thunder Road follows a southern Police Officer (Jim Cummings) on his journey to raise his young daughter as a love letter to his late Mom. Heart-warming and hilarious, Jim struggles to cope with everyday life.

© © 2018 HereToWin LLC

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The Road (Deluxe Version) – Aaron Lewis

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The Road (Deluxe Version)

Aaron Lewis

Genre: Country

Price: $ 13.99

Release Date: November 13, 2012

© ℗ 2012 Blaster Records.

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Middle of the Road – Eric Gales

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Middle of the Road

Eric Gales

Genre: Blues

Price: $ 9.99

Release Date: February 13, 2017

© ℗ 2017 Mascot Label Group/Provogue

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All At Once: On the Road Tour Documentary – Jack Johnson

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All At Once: On the Road Tour Documentary

Jack Johnson

Genre: Concert Films

Price: $ 9.99

Rental Price: $ 2.99

Release Date: January 1, 2016


This film takes an intimate look at Jack Johnson's music and tour greening initiatives. When Jack goes on the road, he doesn't just show up and play music. The tour partners with local non-profits, local food vendors and strives to leave a lasting positive impact. The entire tour is an extension of the environmentally conscious and socially engaged life he leads along with his wife, Kim. After years on the road, playing venues around the globe, the Johnson's have established an inspiring way of touring with a focus on creating as little impact on the earth as possible. Along the way, the tour gives a platform to dozens of local non-profits working to educate and inspire others to make choices that benefit our communities and the greater global environment. While following Jack's 2014 west coast tour, this film highlights the Johnson's Kokua Hawaii Foundation, the All At Once campaign, and several non-profit partners and businesses focusing on plastic free initiatives and sustainable local food systems. Additionally, the film highlights the unique way in which tour is run. From traveling on biodiesel-powered buses, to sourcing organic and locally grown meals to carefully disposing of waste created along the way. The goal of the tour and this documentary is to inspire people to get involved, make the right choices, and enjoy the music along the way.

© © 2016 Jack Johnson Manufactured and marketed by Republic Records, a division of UMG Recordings, Inc.

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Goodbye Yellow Brick Road (Remastered) – Elton John

Elton John - Goodbye Yellow Brick Road (Remastered)  artwork

Goodbye Yellow Brick Road (Remastered)

Elton John

Genre: Rock

Price: $ 9.99

Release Date: October 5, 1973

© ℗ 2014 This Record Company Ltd.

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A Dangerous Road: A Smokey Dalton Novel – Kris Nelscott

Kris Nelscott - A Dangerous Road: A Smokey Dalton Novel  artwork

A Dangerous Road: A Smokey Dalton Novel

Kris Nelscott

Genre: African American

Publish Date: September 6, 2018

Publisher: WMG Publishing

Seller: Draft2Digital, LLC


Herodotus Award winner for Best Historical Mystery "Kris Nelscott can lay claim to the strongest series of detective novels now being written by an American author." —Salon Who is Smokey Dalton? Private Investigator Smokey Dalton works for Memphis, Tennessee's black community. He has almost no interaction with the white hierarchy, even though they exist only blocks away. So he's surprised the day a white woman walks into his Beale Street office. Laura Hathaway has sought him out because he's a beneficiary in her mother's will, and Laura wants to know why. So does Smokey. He's never heard of the Hathaways, but his search will take him on a journey that will change everything he's ever known. Set against the backdrop of the strike and protests that will end with Dr. Martin Luther King Jr.'s assassination, A Dangerous Road combines the politics of race, betrayal, unexpected love, and the terrible cost of trust. It's a story so memorable the Mystery Writers of America chose it as one of the top five novels of the year and the Historical Mystery Appreciation Society honored it as the winner of the Herodotus Award for Best Historical Mystery. What the critics say: "Powerful stuff, with a role for every major black actor in Hollywood."— Kirkus Reviews "More than just offering a puzzle, this novel encourages self-examination about identity, responsibility and the consequences of choices. Smokey proves himself a man of conscience able to make tough choices." — Publishers Weekly "Nelscott's series setting, in the turbulent late '60s, gives her books layers of issues of racism, class, and war, all of which still seem to remain sadly timely today." — Oregonian "It's not hard to draw parallels between Nelscott's PI Smokey Dalton and Walter Mosley's Easy Rawlins, another secretive, canny black man trying to solve mysteries while circumspectly navigating the white world. But Dalton's no knock-off. (Would you label the hundreds of hard-boiled detectives who've appeared in Raymond Chandler's wake mere Marlow Xeroxes because they're white?)" — Entertainment Weekly The Smokey Dalton books are "a high-class crime series." — Booklist Read the whole series of gripping novels: A Dangerous Road Smoke-Filled Rooms Thin Walls Stone Cribs War at Home Days of Rage Street Justice Awards for the series: The first Smokey Dalton novel, A Dangerous Road , won the Herodotus Award for Best Historical Mystery and was short-listed for the Edgar Award for Best Novel; the second, Smoke-Filled Rooms , was a PNBA Book Award finalist; and the third, Thin Walls , was one of the Chicago Tribune's best mysteries of the year. Kirkus chose Days of Rage as one of the top ten mysteries of the year and it was also nominated for a Shamus award for the Best Private Eye Hardcover Novel of the Year.  Street Justice was nominated for a Shamus award for the Best Original Paperback P.I. Novel. Kris Nelscott is an open pen name used by New York Times bestselling author Kristine Kathryn Rusch. 

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I’ve Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After (Unabridged) – Mandy Hale

Mandy Hale - I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After (Unabridged)  artwork

I’ve Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After (Unabridged)

Mandy Hale

Genre: Comedy

Price: $ 11.95

Publish Date: March 11, 2014

© ℗ © 2014 Brilliance Audio

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Road Less Traveled – Blair Hayes

Blair Hayes - Road Less Traveled  artwork

Road Less Traveled

Blair Hayes

Genre: Romance

Price: $ 12.99

Rental Price: $ 4.99

Release Date: January 1, 2017


Country music singer Charlotte comes back home to Tennessee a week before she's set to get married, hoping to borrow her late mother's wedding dress from her grandmother. But when she runs into her high school sweetheart, Ray, sparks begin to fly. As emotions with Ray get complicated and her record label continues to pressure her to write a new hit song, Charlotte questions if she ever should have left Tennessee in the first place and if she's even marrying the right man.

© © 2016 Mar Vista Entertainment, LLC

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Middle of the Road

The pastor of a local church was wearing his clerical collar while visiting his wife who was in the hospital for minor surgery. He stopped in to see
her and chatted with her for quite some time. Before leaving, he leaned down and gave his wife a great passionate kiss and left the room.

The woman in the next bed over stared in disbelief. After the pastor left, the stunned woman spoke to her roommate, “You know, I’ve been a faithful
member of my church all my life, but my pastor has never even come close to treating me as well as yours does!”

Received from Clean Laffs.
The Good, Clean Funnies List

Bob Baldwin Presents Abbey Road and The Beatles – Bob Baldwin

Bob Baldwin - Bob Baldwin Presents Abbey Road and The Beatles  artwork

Bob Baldwin Presents Abbey Road and The Beatles

Bob Baldwin

Genre: Smooth Jazz

Price: $ 9.99

Release Date: September 21, 2018

© ℗ 2018 – City Sketches, Inc.

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Road Trip – Todd Phillips

Todd Phillips - Road Trip  artwork

Road Trip

Todd Phillips

Genre: Comedy

Price: $ 4.99

Rental Price: $ 3.99

Release Date: May 19, 2000


In this raunchy comedy, Josh (Breckin Meyer), a student at a college in Ithaca, NY, videotapes his one-night stand with beautiful sorority girl Beth (Amy Smart). A few days later, Josh discovers that one of his friends accidentally mailed the homemade porn tape to his girlfriend, Tiffany (Rachel Blanchard), who is spending some time with her family in Austin, TX. Josh and his friends Barry (Tom Green), Kyle (D.J. Qualls), E.L. (Seann William Scott), and Rubin (Paulo Costanzo) borrow a car and hit the road in a desperate bid to intercept the tape before Tiffany loads it into her VCR; Beth, however, wants Josh for herself and has her own plans to track down Tiffany.

© © 2000 DreamWorks LLC. All Rights Reserved.

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King of the Road: A Tribute to Roger Miller – Various Artists

Various Artists - King of the Road: A Tribute to Roger Miller  artwork

King of the Road: A Tribute to Roger Miller

Various Artists

Genre: Country

Price: $ 14.99

Release Date: August 31, 2018

© ℗ 2018 BMG Rights Management (US) LLC

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The Road to El Dorado – Will Finn, Don Paul, Bibo Bergeron & David Silverman

Will Finn, Don Paul, Bibo Bergeron & David Silverman - The Road to El Dorado  artwork

The Road to El Dorado

Will Finn, Don Paul, Bibo Bergeron & David Silverman

Genre: Kids & Family

Price: $ 4.99

Rental Price: $ 3.99

Release Date: March 31, 2000


Tulio (Kevin Kline), Miguel (Kenneth Branagh) and their hilarious horse Altivo are in search of treasure on the legendary Lost City of Gold when they are mistaken for gods and lavished with riches beyond their wildest dreams. As friendship, loyalty and greed collide, they must make the decision of their lives: run off with the gold, or face risks and dangers to save the people of El Dorado!

© © 2000 DreamWorks Animation L.L.C. All Rights Reserved.

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God Bless the Broken Road

God Bless the Broken Road Opens Friday, Sep 7, 2018

God Bless the Broken Road tells the story of a young mother who loses her husband in Afghanistan and struggles to raise their young daughter in his absence.

Movie Details

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Car Talk, Irreconcilable Road Trip, November 12, 2005 – Tom Magliozzi & Ray Magliozzi

Tom Magliozzi & Ray Magliozzi - Car Talk, Irreconcilable Road Trip, November 12, 2005  artwork

Car Talk, Irreconcilable Road Trip, November 12, 2005

Tom Magliozzi & Ray Magliozzi

Genre: Arts & Entertainment

Price: $ 0.95

Publish Date: November 12, 2005

© ℗ © 2005 Dewey, Cheetham, and Howe

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When You Come to a Fork in the Road, Take It! – Yogi Berra & Dave Kaplan

Yogi Berra & Dave Kaplan - When You Come to a Fork in the Road, Take It!  artwork

When You Come to a Fork in the Road, Take It!

Yogi Berra & Dave Kaplan

Genre: Comedy

Price: $ 15.95

Publish Date: November 14, 2001

© ℗ © 2001 HighBridge, a division of Recorded Books

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Home-ice disadvantage? Why road teams have been winning more

It doesn’t matter how raucous crowds have been in this year’s NHL playoffs — home teams are having a hard time getting the job done.
www.espn.com – NHL

Road Thrills

Fake Taxi is proud to present Road Thrills. Stella is a pretty exchange student from Italy who thought her student ID card would give her a discount on the fare. Lexi is a horny free-spirit who dares the driver to choose between his money or a good fuck. Charisse is an unemployed hottie who is desperate for a job and ready to earn a ride in the cab. Ashley catches the driver spying on her when she stops to pee, and gets turned on by his pervy voyeurism. A journey in the Fake Taxi is always a thrilling ride, so sit back, buckle-up and get ready to enjoy some fantastic hidden-camera fucking.

Watch the Full Length, High Quality Movie!

Fake Taxi is proud to present Road Thrills. Stella is a pretty exchange student from Italy who thought her student ID card would give her a discount on the fare.

Stars: Stella

Categories: Gonzo British International Euro Big Tits Amateur

Scene Number: 2

Orientation: Straight

Studio Name: Fake Taxi

Amateur Pay Per View

Judgment Road (Unabridged) – Christine Feehan

Christine Feehan - Judgment Road (Unabridged)  artwork

Judgment Road (Unabridged)

Christine Feehan

Genre: Romance

Price: $ 26.95

Publish Date: January 23, 2018

© ℗ © 2018 Recorded Books

iTunes Store: Top Audiobooks in Romance

Abbey Road – The Beatles

The Beatles - Abbey Road  artwork

Abbey Road

The Beatles

Genre: Rock

Price: $ 7.99

Release Date: September 26, 1969

© ℗ 2009 The copyright in this audio & audiovisual compilation is owned by EMI Records Ltd

iTunes Store: Top Albums in Rock

The Golden Road and Beyond: A Grateful Dead Primer – Rhino & Grateful Dead

Rhino & Grateful Dead - The Golden Road and Beyond: A Grateful Dead Primer  artwork

The Golden Road and Beyond: A Grateful Dead Primer

Rhino & Grateful Dead

Genre: Music

Publish Date: July 21, 2013

Publisher: Rhino Entertainment

Seller: Warner Music, Inc.


A career-spanning overview of the Grateful Dead's long strange trip. Includes brand-new artwork, listenable discography, and original essays by Dennis McNally, the band's longtime publicist.

iTunes Store: Top Free Books in Arts & Entertainment

Big Road – Erin Harpe & The Delta Swingers

Erin Harpe & The Delta Swingers - Big Road  artwork

Big Road

Erin Harpe & The Delta Swingers

Genre: Blues

Price: $ 9.99

Release Date: October 20, 2017

© ℗ 2017 Juicy Juju/VizzTone

iTunes Store: Top Albums in Blues

Lakers’ road trip ends with first Lonzo-LeBron duel

LeBron James didn’t have the best shooting night, but his 59th career triple-double helped the Cavaliers hold off the Lakers.
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pjur Group USA Hits the Road for Trainings, Promos

pjur is spreading brand intelligence through retail store trainings and promotions.
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Big Road – Erin Harpe & The Delta Swingers

Erin Harpe & The Delta Swingers - Big Road  artwork

Big Road

Erin Harpe & The Delta Swingers

Genre: Blues

Price: $ 9.99

Release Date: October 20, 2017

© ℗ 2017 Juicy Juju/VizzTone

iTunes Store: Top Albums in Blues

Black Lesbian Road Rules

Love’s Kitty is back with the best black girl-girl movie today! We have brought the prettiest talent to your door. Covergirls Teanna Trump and Harley Dean will melt you as soon as you see them, both are pretty much 10’s! When they get together Teanna shows Harley how to dance that ends with licking her wet pretty pussy in 7 different positions! Harley loves it so much they are still going out together today! Alliee Cat and Deziree Monroe are cute school girls on their way home when Deziree shows Alliee her twerk video! After Alliee sees how big and beautiful her ass is, she wants a taste and bammmm they make love on the couch! Kelly and Ashton will finish your day so nicely! First off, Ashton is a one in a million 18 year old with great tits popping out like torpedoes and a face similar to an angel! When she is spraying down Kelly with her squirt gun, she points it at her pussy and then licks up the water/juices! They fuck at the pool in a sizzling scene! Plus more lovely black lesbian action! With Love "Meow"

Watch the Full Length, High Quality Movie!

Love’s Kitty is back with the best black girl-girl movie today! We have brought the prettiest talent to your door.

Stars: Harley Dean Teanna Trump

Categories: High Definition All Girl All Sex Lesbian Black

Scene Number: 1

Orientation: Straight

Studio Name: Love’s Kitty Films

BLACK PAY PER VIEW

How Streaming Revolutionized Rap’s Album Rollouts On The Road To No. 1

Future (left) and Kendrick Lamar, onstage at this summer

From Kendrick Lamar’s TDE camp to Rick Ross’s MMG, industry heavies weigh in on digital’s continued disruption of the traditional album release calendar.

(Image credit: Paras Griffin/Getty Images for BET)


Hip-Hop : NPR
ADULT ENTERTAINMENT NEWS UPDATE:Gabby Love’s top pick! Click and enjoy!

Mumford & Sons: The Road to Red Rocks – Mumford & Sons

Mumford & Sons - Mumford & Sons: The Road to Red Rocks  artwork

Mumford & Sons: The Road to Red Rocks

Mumford & Sons

Genre: Concert Films

Price: $ 12.99

Rental Price: $ 3.99

Release Date: February 5, 2013


'The Road to Red Rocks' consists of official live footage directed and shot by FRED & NiCK at two sold out concerts at the beautiful amphitheatre set amongst the Red Rocks of Colorado, USA. In addition to the stunning live footage, are exclusive interviews and footage with the band recorded whilst on Gentlemen of the Road touring circuit.

© © 2013 Glassnote Entertainment Group LLC under license from Mumford & Sons

iTunes Store: Top Movies in Concert Films

Sing Me Home – Yo-Yo Ma & The Silk Road Ensemble

Yo-Yo Ma & The Silk Road Ensemble - Sing Me Home  artwork

Sing Me Home

Yo-Yo Ma & The Silk Road Ensemble

Genre: Classical Crossover

Price: $ 9.99

Release Date: April 22, 2016

© ℗ 2016 Sound Postings LLC, under exclusive license to Sony Music Entertainment

iTunes Store: Top Albums in Classical

Come Back Road – Logan Mize

Logan Mize - Come Back Road  artwork

Come Back Road

Logan Mize

Genre: Country

Price: $ 9.99

Release Date: July 28, 2017

© ℗ 2017 Big Yellow Dog Music

iTunes Store: Top Albums in Country

Alvin and the Chipmunks: The Road Chip

Alvin and the Chipmunks: The Road Chip Opens Friday, Dec 18, 2015

Alvin, Simon and Theodore come to believe that Dave is going to propose to his new girlfriend and dump them.

Movie Details Play Trailers

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Coming Soon Movies

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The Rocky Road to Romance (Unabridged) [Unabridged Fiction] – Janet Evanovich

Janet Evanovich - The Rocky Road to Romance (Unabridged) [Unabridged Fiction]  artwork

The Rocky Road to Romance (Unabridged) [Unabridged Fiction]

Janet Evanovich

Genre: Romance

Price: $ 9.95

Publish Date: August 31, 2004

© ℗ © 2004 HarperAudio

iTunes Store: Top Audiobooks in Romance

Ten Miles of Bad Road – Karen Lovely


Ten Miles of Bad Road
Karen Lovely

Release Date:
October 13, 2015
Total Songs:
13

Genre:
Blues

Price:
$ 9.99

Copyright
℗ 2015 Kokako


iTunes 100 New Releases

Ten Miles of Bad Road – Karen Lovely

Karen Lovely - Ten Miles of Bad Road  artwork

Ten Miles of Bad Road

Karen Lovely

Genre: Blues

Price: $ 9.99

Release Date: October 13, 2015

© ℗ 2015 Kokako

iTunes Store: Top Albums in Blues

Redemption Road (Unabridged) – Katie Ashley

Katie Ashley - Redemption Road (Unabridged)  artwork

Redemption Road (Unabridged)

Katie Ashley

Genre: Romance

Price: $ 20.95

Publish Date: October 1, 2015

© ℗ © 2015 Recorded Books

iTunes Store: Top Audiobooks in Romance

Ben Bailey: Road Rage …and Accidental Ornithology – Manny Rodriguez

Manny Rodriguez - Ben Bailey: Road Rage ...and Accidental Ornithology  artwork

Ben Bailey: Road Rage …and Accidental Ornithology

Manny Rodriguez

Genre: Comedy

Price: $ 12.99

Rental Price: $ 2.99

Release Date: May 21, 2011


Acclaimed stand-up comedian Ben Bailey is America's most desired cabbie. As host of the Discovery Channel's "Cash Cab" and "Cash Cab After Dark," Bailey's following and popularity continues to grow. Now, in addition to his countless live performances and television appearances (including "30 Rock" and "The Tonight Show"), comes Ben Bailey's hilarious, debut stand-up video!

© © 2010 Levity Productions, LLC.

iTunes Store: Top Movies in Concert Films

The Long Road Home: The Ultimate John Fogerty / Creedence Collection – John Fogerty

John Fogerty - The Long Road Home: The Ultimate John Fogerty / Creedence Collection  artwork

The Long Road Home: The Ultimate John Fogerty / Creedence Collection

John Fogerty

Genre: Rock

Price: $ 11.99

Release Date: October 31, 2005

© ℗ 2005 Concord Music Group, Inc.

iTunes Store: Top Albums in Rock

King Mez’s Long Road From Raleigh To ‘Compton’

The Raleigh native’s trajectory is both exceptional and what should always be the result of the combination of clear-minded determination and the exercise of god-given talent.

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ADULT ENTERTAINMENT NEWS UPDATE:Gabby Love’s top pick! Click and enjoy!

Willow Brook Road: Chesapeake Shores, Book 13 (Unabridged) – Sherryl Woods

Sherryl Woods - Willow Brook Road: Chesapeake Shores, Book 13 (Unabridged)  artwork

Willow Brook Road: Chesapeake Shores, Book 13 (Unabridged)

Sherryl Woods

Genre: Romance

Price: $ 9.95

Publish Date: September 29, 2015

© ℗ © 2015 Brilliance Audio

iTunes Store: Top Audiobooks in Romance

Thorbjorn Risager & The Black Tornado – Songs From The Road – Ruf

You are talking here about a classic Blues voice, grizzled and dark with a smoky edge to it. Not quite an American voice but utterly unlike the majority of Europeans who try and fail miserably.
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The Road – John Hillcoat

John Hillcoat - The Road  artwork

The Road

John Hillcoat

Genre: Drama

Price: $ 9.99

Release Date: November 25, 2009


Father and son journeying together toward the sea across a post-apocalyptic landscape, some years after a great, unexplained cataclysm has destroyed civilization and almost all life on Earth.

© © 2009 2929 Productions LLC. All Rights Reserved.

iTunes Store: Top Movies in Drama

Damon Albarn on Adele’s ‘Middle of the Road’ New Album

Toward the tail end of last year, Damon Albarn was rumored to be working on songs for Adele’s new album in the midst of all of his ongoing concerns. But now that conversation around that record is swirling again, The Sun caught up with the Blur Frontman to talk about his feelings on the experience, which don’t really sound all that positive. “Adele asked me to work with her and I took the time out for her,” …
News, reviews, interviews and more for top artists and albums – MSN Music
ADULT ENTERTAINMENT NEWS UPDATE:Gabby Love’s top pick! Click and enjoy!

Road To Shandara – Ken Lozito

Ken Lozito - Road To Shandara  artwork

Road To Shandara

Book One of The Safanarion Order Series (Epic Fantasy Adventure)

Ken Lozito

Genre: Epic

Publish Date: January 20, 2014

Publisher: Acoustical Books LLC

Seller: Acoustical Books LLC


When a mythical world threatens everything, an unlikely hero must join the battle… College senior Aaron Jace is ready to start life in the real world. After the unexpected death of his grandfather, Aaron finds an unbelievable note that will change his world. The unknowing descendent of an ancient and powerful family, Aaron is thrust into a struggle that began long ago and will reach across worlds to pull him into the fight. When he learns of the world of Safanar, it seems to be the stuff of legends: dragons, castles, and technologically-advanced cities. But it's as much a dream as it is a nightmare. Danger lurks in the shadows, and a demon sentinel named Tarimus wants to steal Aaron's power before he can learn his full potential. With the help of an imprisoned Safanarion guardian, two mystical swords, and a puzzling family heirloom, Aaron must journey from Earth to find the fabled land of his ancestors. It may be a path that's impossible to survive. The Road to Shandara is the first book in an epic fantasy series that features fast-paced action, compelling characters, and a breathtaking world that will make you want to snatch up the whole series. This is not your traditional fantasy novel. Grab the first book in your next fantasy series today!

iTunes Store: Top Free Books in Sci-Fi & Fantasy

When You Come to a Fork in the Road, Take It! – Yogi Berra and Dave Kaplan

Yogi Berra and Dave Kaplan - When You Come to a Fork in the Road, Take It!  artwork

When You Come to a Fork in the Road, Take It!

Yogi Berra and Dave Kaplan

Genre: Comedy

Price: $ 14.95

Publish Date: November 8, 2001

© ℗ © 2001 HighBridge, a division of Recorded Books

iTunes Store: Top Audiobooks in Comedy

Mad Max: Fury Road – George Miller

George Miller - Mad Max: Fury Road  artwork

Mad Max: Fury Road

George Miller

Genre: Action & Adventure

Price: $ 19.99

Release Date: May 15, 2015


From director George Miller, originator of the post-apocalyptic genre and mastermind behind the legendary "Mad Max" franchise, comes "Mad Max: Fury Road," a return to the world of the Road Warrior, Max Rockatansky. Haunted by his turbulent past, Mad Max (Tom Hardy) believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with a group fleeing across the Wasteland in a War Rig driven by an elite Imperator, Furiosa (Charlize Theron). They are escaping a Citadel tyrannized by the Immortan Joe (Hugh Keays-Byrne), from whom something irreplaceable has been taken. Enraged, the Warlord marshals all his gangs and pursues the rebels ruthlessly in the high-octane Road War that follows.

© © 2015 Warner Bros. Feature Productions Pty Limited. All Rights Reserved.

iTunes Store: Top Movies in Action & Adventure

Songs from the Road – Canned Heat

Canned Heat - Songs from the Road  artwork

Songs from the Road

Canned Heat

Genre: Blues

Price: $ 10.99

Release Date: August 7, 2015

© ℗ 2015 Ruf Records GmbH

iTunes Store: Top Albums in Blues

Young Thug’s Road Manager Claims Birdman Is Responsible For Lil Wayne Tour Bus Shooting

(AllHipHop News) Bryan “Birdman” Williams may have told Power 105’s Angie Martinez he was not involved in the shooting that left Lil Wayne’s tour bus riddled with bullets, but the man currently in custody for the crime reportedly says the Cash Money Records head played a role in the incident.

[ALSO READ: Birdman Talks Lil Wayne Wanting To Leave Cash Money & Reports He Tried To Have Wayne Killed (VIDEO)]

TMZ reports:

Jimmy Winfrey claims in new court docs he shouldn’t be singled out for the crime, when “[Birdman’s] financial dispute with [Lil Wayne] is what ultimately led to the shooting.”

So, Winfrey argues, “[Birdman] should be held liable as a party to the crime.” He’s not specifically saying Birdman ordered the hit, but essentially that’s what he’s saying.

Winfrey (aka PeeWee Roscoe) was employed as Atlanta rapper Young Thug’s road manager. A Cobb County, Georgia indictment in the Winfrey case named both Thug and Birdman as possible co-conspirators in a plot to kill Wayne.

The Young Money leader has been trying to break from Birdman’s CMR imprint. He later sued the company for unpaid royalties and album advances. Wayne was also involved in a very public feud with Thug earlier this year.

Neither Birdman nor Young Thug have been formally charged in connection to the tour bus shooting in Atlanta. Last week Birdman denied he would ever try to harm the man he refers to as his “son.”

“That’s like the craziest sh*t I ever heard in my life,” said Birdman about the allegations he tried to have Wayne murdered. “I’m passionate about my family, my kids, and my life. Nothing means more to me.”

[ALSO READ: Young Thug & Birdman Accused Of Conspiring To Kill Lil Wayne]

Filed under: News Tagged: Bryan “Birdman” Williams, Crime & Punishment, jimmy winfrey, lil wayne
AllHipHop

Angry Nerd Blasts Batman and Praises Mad Max: Fury Road at San Diego Comic-Con 2014

On location at #SDCC2014, Angry Nerd talks about the new comic-book films he supports (Mad Max: Fury Road) and those he opposes (Ben Affleck’s Batman).
WIRED Videos – The Scene

Wyrmwood: Road of the Dead – Kiah Roache-Turner

Kiah Roache-Turner - Wyrmwood: Road of the Dead  artwork

Wyrmwood: Road of the Dead

Kiah Roache-Turner

Genre: Horror

Price: $ 14.99

Rental Price: $ 3.99

Release Date: February 13, 2015


Zombies invade the Australian Outback in this brain-splattered, Mad Max-meets-the-undead thrill ride. When an apocalyptic event turns everyone around him—including his wife and daughter—into marauding zombies, everyman mechanic Barry arms himself to the teeth, soups up his car, and hits the road in order to rescue his sister from a deranged, disco-dancing mad doctor. Bursting with high-octane car chases, crazy-cool homemade weaponry, and enough blood-and-guts gore to satisfy hardcore horror fans, WYRMWOOD takes the zombie flick to bone-crunchingly berserk new heights.

© © 2014 Guerilla Films Pty Ltd Screen Australia. All rights reserved.

iTunes Store: Top Movies in Horror

Despicable! Giant inflatable Minion falls on road, causes traffic jam

A 40-foot tall inflatable Minion caused a scene outside Dublin when it came loose and flew on to the road.


TODAY Pop Culture

Live webcam sex! More than 20000 Hot Girls are waiting for you!

Sunshine Road – Owen Campbell

Owen Campbell - Sunshine Road  artwork

Sunshine Road

Owen Campbell

Genre: Blues

Price: $ 8.97

Release Date: July 1, 2011

© ℗ 2011 La Ville Records via DiGiDi.org

iTunes Store: Top Albums in Blues

New Movies, TV on iTunes in August: ‘Furious 7,’ ‘Mad Max: Fury Road,’ ‘Fear the Walking Dead’ and More

Indie films starring Jennifer Aniston, Owen Wilson, Ethan Hawke, Hailee Steinfeld, Emile Hirsch, Margot Robbie, Chris Pine and Chiwetel Ejiofor will also be available the same day they hit theaters.
Music News Headlines – Yahoo News

Canned Heat – Songs From The Road – Ruf

The latest in the award winning ‘From The Road’ series from Ruf and this one is a celebration of 50 years of Canned Heat.
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The Road to Red Rocks – Mumford & Sons

Mumford & Sons - The Road to Red Rocks  artwork

The Road to Red Rocks

Mumford & Sons

Genre: Concert Films

Price: $ 15.99

Release Date: January 1, 2012


'The Road to Red Rocks' consists of official live footage directed and shot by FRED & NICK at two sold out concerts at the beautiful amphitheatre set amongst the Red Rocks of Colorado, USA. In addition to the stunning live footage, are exclusive interviews and footage with the band recorded whilst on Gentlemen of the Road touring circuit. The live set includes old favourites 'Little Lion Man' & 'The Cave' amongst newer tracks such as 'I Will Wait' & 'Whispers in the Dark' from the band's Number 1 album 'Babel'.

© © 2012 Mumford & Sons under exclusive license to Universal Island Records Ltd. A Universal Music Company

iTunes Store: Top Movies in Concert Films

Black Lesbian Road Rules

Love’s Kitty is back with the best black girl-girl movie today! We have brought the prettiest talent to your door. Covergirls Teanna Trump and Harley Dean will melt you as soon as you see them, both are pretty much 10’s! When they get together Teanna shows Harley how to dance that ends with licking her wet pretty pussy in 7 different positions! Harley loves it so much they are still going out together today! Alliee Cat and Deziree Monroe are cute school girls on their way home when Deziree shows Alliee her twerk video! After Alliee sees how big and beautiful her ass is, she wants a taste and bammmm they make love on the couch! Kelly and Ashton will finish your day so nicely! First off, Ashton is a one in a million 18 year old with great tits popping out like torpedoes and a face similar to an angel! When she is spraying down Kelly with her squirt gun, she points it at her pussy and then licks up the water/juices! They fuck at the pool in a sizzling scene! Plus more lovely black lesbian action! With Love "Meow"

Watch the Full Length, High Quality Movie!

Love’s Kitty is back with the best black girl-girl movie today! We have brought the prettiest talent to your door.

Stars: Ashton Devine Alliee Cat Deziree Monroe Kelly Cummings Harley Dean Kandi Teanna Trump Honey Brown

Categories: High Definition All Girl All Sex Lesbian Black

Scene Number: 1

Orientation: Straight

Studio Name: Love’s Kitty Films

Lesbian Pay Per View

Black Lesbian Road Rules

Love’s Kitty is back with the best black girl-girl movie today! We have brought the prettiest talent to your door. Covergirls Teanna Trump and Harley Dean will melt you as soon as you see them, both are pretty much 10’s! When they get together Teanna shows Harley how to dance that ends with licking her wet pretty pussy in 7 different positions! Harley loves it so much they are still going out together today! Alliee Cat and Deziree Monroe are cute school girls on their way home when Deziree shows Alliee her twerk video! After Alliee sees how big and beautiful her ass is, she wants a taste and bammmm they make love on the couch! Kelly and Ashton will finish your day so nicely! First off, Ashton is a one in a million 18 year old with great tits popping out like torpedoes and a face similar to an angel! When she is spraying down Kelly with her squirt gun, she points it at her pussy and then licks up the water/juices! They fuck at the pool in a sizzling scene! Plus more lovely black lesbian action! With Love "Meow"

Watch the Full Length, High Quality Movie!

Love’s Kitty is back with the best black girl-girl movie today! We have brought the prettiest talent to your door.

Stars: Ashton Devine Alliee Cat Deziree Monroe Kelly Cummings Harley Dean Kandi Teanna Trump Honey Brown

Categories: High Definition All Girl All Sex Lesbian Black

Scene Number: 1

Orientation: Straight

Studio Name: Love’s Kitty Films

BLACK PAY PER VIEW

The Road (Deluxe Version) – Aaron Lewis

Aaron Lewis - The Road (Deluxe Version)  artwork

The Road (Deluxe Version)

Aaron Lewis

Genre: Country

Price: $ 13.99

Release Date: November 13, 2012

© ℗ 2012 Blaster Records.

iTunes Store: Top Albums in Country

Road to Perdition – Sam Mendes

Sam Mendes - Road to Perdition  artwork

Road to Perdition

Sam Mendes

Genre: Drama

Price: $ 9.99

Rental Price: $ 2.99

Release Date: July 12, 2002


Two-time Academy Award® winner Tom Hanks stars as Michael Sullivan, a father fighting to keep his only son from traveling the Road to Perdition. Directed by Oscar® winner Sam Mendes (American Beauty), this towering motion picture achievement has been acclaimed by audiences and critics alike. Also starring Academy Award® winner Paul Newman and Oscar® nominee Jude law, Road to Perdition weaves a mesmerizing tale of a father and son bound together by tragedy and betrayal. On an unforgettable journey of honor, vengeance and redemption, they confront overwhelming odds – and forge an indestructible bond. Hailed for the powerhouse performances of its stars and the stunning impact of its story, Road to Perdition is an electrifying experience that will stay with you for a lifetime.

© © 2002 TWENTIETH CENTURY FOX FILM CORPORATION AND DREAMWORKS LLC. ALL RIGHTS
RESERVED.

iTunes Store: Top Movies in Drama

Just Played The Long Road to Heavensward

Just Played - FFXIV Long Road to Heavensward - Thumb

A new realm brings our eyes back to XIV Online, but the path to Heavensward has proven to be a long one for us.
GameTrailers.com Videos Hub

Goodbye Yellow Brick Road (40th Anniversary Celebration) – Elton John

Elton John - Goodbye Yellow Brick Road (40th Anniversary Celebration)  artwork

Goodbye Yellow Brick Road (40th Anniversary Celebration)

Elton John

Genre: Rock

Price: $ 7.99

Release Date: March 24, 2014

© ℗ 2014 This Record Company Ltd.

iTunes Store: Top Albums in Rock

The Golden Road and Beyond: A Grateful Dead Primer – Rhino & Grateful Dead

Rhino & Grateful Dead - The Golden Road and Beyond: A Grateful Dead Primer  artwork

The Golden Road and Beyond: A Grateful Dead Primer

Rhino & Grateful Dead

Genre: Music

Publish Date: July 21, 2013

Publisher: Rhino Entertainment

Seller: Warner Music, Inc.


A career-spanning overview of the Grateful Dead's long strange trip. Includes brand-new artwork, listenable discography, and original essays by Dennis McNally, the band's longtime publicist.

iTunes Store: Top Free Books in Arts & Entertainment

Along the Broken Road: The Roads to River Rock, Book 1 (Unabridged) – Heather Burch

Heather Burch - Along the Broken Road: The Roads to River Rock, Book 1 (Unabridged)  artwork

Along the Broken Road: The Roads to River Rock, Book 1 (Unabridged)

Heather Burch

Genre: Romance

Price: $ 9.95

Publish Date: June 16, 2015

© ℗ © 2015 Brilliance Audio

iTunes Store: Top Audiobooks in Romance

The Long Road – A Post Apocalyptic Novel: The New World (Unabridged) – G. Michael Hopf

G. Michael Hopf - The Long Road - A Post Apocalyptic Novel: The New World (Unabridged)  artwork

The Long Road – A Post Apocalyptic Novel: The New World (Unabridged)

G. Michael Hopf

Genre: Sci Fi & Fantasy

Price: $ 17.95

Publish Date: November 18, 2013

© ℗ © 2013 Geoffrey Hopf

iTunes Store: Top Audiobooks in Sci Fi & Fantasy

The Road (Unabridged) – Cormac McCarthy

Cormac McCarthy - The Road (Unabridged)  artwork

The Road (Unabridged)

Cormac McCarthy

Genre: Sci Fi & Fantasy

Price: $ 17.95

Publish Date: January 1, 2006

© ℗ © 2006 Recorded Books

iTunes Store: Top Audiobooks in Sci Fi & Fantasy

Dirt Road Driveway – Granger Smith

Granger Smith - Dirt Road Driveway  artwork

Dirt Road Driveway

Granger Smith

Genre: Country

Price: $ 4.99

Release Date: April 16, 2013

© ℗ 2013 Pioneer Music

iTunes Store: Top Albums in Country

The Road to Glenlough – James Byrne

James Byrne - The Road to Glenlough  artwork

The Road to Glenlough

James Byrne

Genre: Instrumental

Price: $ 9.99

Release Date: November 2, 1995

© ℗ 1990 Claddagh Records

iTunes Store: Top Albums in Instrumental

Design FX – Mad Max Fury Road: Choreographing Complex Stunts & Car Chases

Shot mostly in Africa with real vehicles and complex stunts, “Mad Max: Fury Road” brings a high intensity to the post-apocalyptic franchise. Mike Seymour breaks down the complicated camerawork and VFX behind the action-adventure flick.
WIRED Videos – The Scene

Silk Road Founder Sentenced To Life In Prison

If you were aware of the black market website, Silk Road, during its heyday at the top of the decade, then you were already one step closer to committing a felony. The online marketplace for heavy drugs such as heroin, cocaine and ecstasy amassed millions in revenue before being shut down in the November 2014.

Now, Silk Road founder Ross Ulbricht has to answer for the multiple crimes, including at least one victim overdosing from the drugs being purchased, with a life sentence in prison.

Reports the New York Times:

Mr. Ulbricht, 31, was sentenced by the judge, Katherine B. Forrest, for his role as what prosecutors described as “the kingpin of a worldwide digital drug-trafficking enterprise.”

Mr. Ulbricht’s novel high-tech drug bazaar operated in a hidden part of the Internet sometimes known as the dark web, which allowed deals to be made anonymously and out of the reach of law enforcement. In Silk Road’s nearly three years of operation, over 1.5 million transactions were carried out involving several thousand seller accounts and more than 100,000 buyer accounts, the authorities have said.

Judge Forrest echoed that message. “What you did was unprecedented,” she told Mr. Ulbricht, “and in breaking that ground as the first person,” he had to pay the consequences. Anyone who might consider doing something similar, the judge added, needed to understand clearly “and without equivocation that if you break the law this way, there will be very serious consequences.”

Mr. Ulbricht was convicted in February on charges that included engaging in a continuing criminal enterprise and distributing narcotics on the Internet, each of which carried potential life terms. The government had also alleged that he had solicited the murders of people he saw as threats to his operation, and that at least six deaths were attributable to drugs bought on the site.

At the hearing, the mother of one such victim and the father of another each delivered emotional statements to the judge. The father, identified as Richard, whose 25-year-old son had died after using heroin that prosecutors said was purchased on Silk Road, accused Mr. Ulbricht of being driven by greed in making drugs easily available to vulnerable people.

“I strongly believe that my son would be here today if Ross Ulbricht had not created Silk Road,” he said, adding, “All Ross Ulbricht cared about was his growing pile of bitcoins.”

A tearful Ulbricht expressed remorse for his actions at his sentencing but you know they say hindsight is always 20/20.


Photo: Reason TV

The post Silk Road Founder Sentenced To Life In Prison appeared first on Hip-Hop Wired.

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Joshua Bearman on The Rise and Fall of Silk Road

Author Joshua Bearman discusses his two part techno-noir series on the rise and fall of the online drug bazaar Silk Road.
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Danielle Tries Out the High Road | Welcome to Sweetie Pie’s | OWN

After an incident involving insubordinate behavior lands Danielle out of a job, she takes Tim’s advice and meets with her manager, Michelle, to try and make it right. Can she tone down her bad attitude enough to win Michelle over and get her job back?

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When Miss Robbie Montgomery, a 1960s backup singer and former “Ikette,” suffered a collapsed lung and had to stop singing, she decided to pour her talents into another creative venture—a soul food restaurant called Sweetie Pie’s. . This docuseries follows the loud, loving and often singing Montgomery family as they work to expand their empire, one soulful dish at a time.

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Musician Ray J Stops In For Some Lemonade | Welcome to Sweetie Pie’s | OWN
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Kid Ink- On The Road Again My Own Lane European Tour Pt. 2

In August 2014 Kid Ink embarked on a 47 city 60 day European Tour to promote his “My Own Lane” album. This film follows Kid Ink and his team throughout the entire 2 month expedition

 


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Mad Max: Fury Road

Mad Max: Fury Road Opens Friday, May 15, 2015

“Mad Max: Fury Road” is the fourth film of George Miller’s Road Warrior/Mad Max franchise.

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‘Ice Road Truckers’ Star Tim Zickuhr — GUILTY of Prostitute Kidnapping

“Ice Road Truckers” star Tim Zickuhr didn’t convince a judge the woman he allegedly tied up and threw in a closet was not a prostitute but a flaky friend, because he was just convicted of kidnapping. TMZ broke the story … cops say last…

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One Direction Are So Ready For Their On The Road Again Tour: See The Pics

One Direction are sharing tons of awesome tweets and Instagram pics counting down to the opening night of their On The Road Again Tour.
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Redemption Road: Chatting with Tom Paxton, Howard Jones, Martin Sexton, Chadwick Stokes and Erik Deutsch

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A Conversation with Tom Paxton

Mike Ragogna: Tom, you’ve got a new album Redemption Road. What’s your creative process like these days?

TP: I think I do what I’ve always done. I’m kind of plugged in, kind of receptive, kind of on the lookout for something that needs to be a song, something that can become a song. It can be anything from a trivial whim or a serious theme that I think that I owe to myself to try to write. Or it could be just a sure pleasure of making something up. For example, one of my very favorite songs on the album is “Suzy Most Of All.” You can’t get much more lightweight than that, but I don’t think I’ve ever enjoyed writing a song as much as I enjoyed writing that one. I just let myself be free to write what I call “Jump rope rhymes,” which don’t have to make any sense at all. Another model for that song was “Green Green Rocky Road” that Len Chandler and Bob Kaufman wrote so many years ago, that Dave Van Ronk sang so beautifully, you know the one I mean. It’s in Inside Llewyn Davis. That song has some of the most sublimely ridiculous verses. “I go by Baltimore, need no carpet on my floor,” I mean, come on! But it’s perfect. So I availed myself of that freedom to write something like “English muffin/Texas toast,” basically ’cause why not?

MR: That “why not” part is so important. People so often look at singer-songwriter lyrics and say, “Hope these words are better than your last!” It seems like a big responsibility for a singer-songwriter always to be “profound.”

TP: I retired from the avatar business a long time ago. People are responsible for their own damn lives. I don’t have any great advice for them on how to live their lives. All I’m doing is writing songs. I’m not even writing songs for the market, not that there’s anything wrong with doing that. I have good friends who write for the market and that’s perfectly okay, but I don’t have that knack. Every song of mine that has ever been a hit is a song that I basically wrote for myself to sing and somebody else heard it and recorded it very successfully. That’s as close as I’ve come to being a market writer. I’m really more like an amateur who gets lucky now and then.

MR: But don’t forget those people that are camping on your doorstep until you make that next album.

TP: Well, when I have enough good stuff, that’s when there will be another good album. I’m writing a little better right now, so I think maybe it won’t be as long between albums. I don’t know what’s going to happen, because I’m going to stop touring in November. I don’t know what will happen then about the urge to write. At least one of the major impulses or reasons to write is the fear of being seen to have become totally out of touch. I have a need to have some quality new material when I’m out there in concert. When I’m not touring anymore, I don’t know how I’ll feel then. I think I will continue to write, but it’s going to be a new area for me.

MR: It’s pretty inconceivable that someone as conscious as you couldn’t find something you just have to write about.

TP: It’s like the saying, “Been there, done that, bought the T-shirt.” I have been very fortunate to have a performing life during very interesting years. I could’ve stood a little less interest, actually, as many of us could. I don’t know how I’m going to feel when I’m not out there all the time as I have been for fifty five years. I’ll continue to perform, I’m just not going to tour anymore.

MR: It’s almost like a supreme court justice. You’re in for life. [laughs]

TP: Well I frequently think of myself in those terms. [laughs] I’m wearing a robe right now, as a matter of fact.

MR: Send the selfie. [laughs] Hey, you’ve got some great company on this album, John Prine, Janis Ian, Dave Palmeroy, Al Perkins…

TP: These are the best. With Prine you pick up the phone and say, “Look, I need some help here, I’m sinking fast, so come and sing a song with me.” Not only does he come and sing a song with me, he buys me dinner. He’s a great guy. About ten years ago my wife and I went to go see him and Iris Dement at The Wolf Trap here in Washington. We were sitting out there and I turned to her and I said, “You know what? I’ve known John for twenty five years and this is the first time I’ve ever had a chance to sit out front and see him do a whole show. What a major treat that was. He’s another one of these “nobody like ’em” artists. There’s nobody like Prine. The song he’s on is such a goofy song, it’s just perfect for him to come and sing on it.

MR: How did the Janis Ian piece come together?

TP: I’ve known Janis since she was thirteen. We’ve been doing shows together for the last couple of years. In March and April we’ll be basically on tour here in the states doing a bunch of shows together. That’s a lot of fun for me because it’s not your typical split bill, we actually take the stage together and stay together on stage and sing on one another’s songs, et cetera. It makes for a very different and very entertaining evening, for us as well as–one hopes–The audience.

MR: What do you guys admire about each other?

TP: Well, it starts from the human perspective, I just love Janis. She’s a sassy, strong, strong-willed person who has not had an easy path, unless one thinks that having a hit at fifteen and being washed up at sixteen is an easy path. She’s had a hard way to go and she’s a strong person and a great guitar player. Matter of fact, we have a little fun with that fact in the show, that she is such a great guitar player and I’m merely adequate. There’s room for fun there. We’ve known each other for so long and we talked about doing some shows, so finally she said, “Well, put up or shut up, let’s do it.” So we did and we’re doing it.

MR: Who are the new troubadours? You may not be the avatar anymore, but the message still has to get out there, no?

TP: When it comes to asking where it’s going to come from and from whom, the one thing we can be sure of is that it will come from some place unexpected and from no one we’ve ever heard of before. It just doesn’t move along in nice, orderly ways. Like everybody else, I feel a lack of social commitment in young artists, but I’m not about to criticize them. They’re finding their own way. They’re doing their own thing and in their own time they will direct their attention to the areas that we did. It isn’t the same, but we don’t have a draft anymore. Does anyone realize what a massive change that is? We don’t have a draft, young people don’t graduate from high school with being dragged off to war as part of their immediate future. Believe me, that fact will color your attitude a lot.

MR: And now, of course, I think of your anthem, “Wonder Where I’m Bound.”

TP: I’ve sung that at a few graduations.

MR: It’s a great anthem for old people and young people. And speaking of young people, what advice do you have for new artists, oh non-avatar?

TP: It sounds as if I’m being flippant, but what I tell young people when they ask me what to do is so simple and so difficult–get good. Work at your craft. Take guitar lessons, for God’s sake. Too many young artists play really crappy guitar, and it kills you. You have to at least support your music with your instrument. At least don’t hurt it. Maybe don’t take voice lessons, but maybe some voice coaching. I had some voice coaching which made a huge difference in my singing. I don’t have a trained voice. Voice lessons are almost counter productive. Voice lessons for someone with my kind of barely average equipment has you trying to do things you can’t do and hurting yourself in the process. Some vocal coaching on the other hand is dealing with what you have and helping you make the most of that, and that’s really worth doing. In other words, work at your craft. I don’t write every day now, but I did then. I can’t recommend that highly enough. Write something every damn day so that you’re working at it and studying other artists and other artists whose work you love. Ask yourself, “What is it about their work that I love so much? Why is he or she so important to me?” These are things that they should be asking if they want to get ahead, if they want to improve.

MR: That’s a great answer.

TP: And here’s my other big piece of advice, for writers: They want to know, “How do you get ideas?” I tell them what I do myself: Look around you. If you need stimulation, pick up a paper, look at the paper for anything that moves you in any way. It can be to hilarity, it can be to rage or sorrow, but you’re bound to find a story in that paper that moves you in some way and then write a song from the point of view of either an eyewitness or a participant. This will take you out into the world, writing about the world, holding a mirror up to nature as Shakespeare put it, and above all it’ll get you away from writing all those God damned relationship songs that no one cares about. I tell you what, in my shows these days and for many years now there have been maybe one or two relationship songs, but only a couple. The rest of the songs are about a world that we share. Songs that people identify with because we’ve all seen this stuff happen. I wrote a song as a participant in the twin towers. I wrote a song from the point of view of a survivor. I wasn’t there, that’s not me. I’m using the first person singular but I’m imagining it. That’s what I’m suggesting people do. It can also be silly stuff. First person, not you. It’s not that hard to grasp once you grasp it. You’re writing about not you, you’re writing about us.

MR: Why, you could give a seminar on this, my friend!

TP: I do! I enjoy talking to people about songwriting.

MR: Do you feel that as a songwriter you’ve evolved in tangible ways? You can point out, “I went from here to here?”

TP: Yeah, I can tell. I don’t think I’ve changed as a writer, but I hope I’ve deepened as a writer.

MR: Can you pick that up in other people’s works, like Janis or John?

TP: I’m sure I could. I can’t do it as I sit here right now, I’d have to think about that, but I’m utterly sure that I would find that if I looked for it. In Janis’ work there is still the same kind of concern as there was in Society’s Child. That, by the way, is a very sophisticated melody that she wrote at the age of fifteen. She writes similarly but more profoundly now. I think I would find that in all of the writers I admire. The writers I admire are legion in number.

MR: You’ve seen the whole parade, from Pete Seeger to now.

TP: So much so that I would claim that if not for Pete Seeger, none of this would’ve happened. If that man had not criss-crossed the country singing at every union hall, every college campus, every summer camp throughout the fifties and sixties, none of it would’ve happened. He was the reason that it really came alive. He was the one who turned on my generation so that hundreds and even thousands of us said, “I’ve got to do that. That’s what I want to do. That’s what I have to do.” When I heard The Weavers At Carnegie Hall in ’57, I went from someone who loved folk music to someone who literally had to do it. I was not alone. Peter Yarrow was at that Carnegie Hall concert. He had the same epiphany that I did. “I have got to do this. This is me.”

MR: Beyond Redemption Road, I’m wondering where you’re bound.

TP: [laughs] Probably out for dinner. I’m bound for exactly where I’ve been. More of the same, but less of the same. There’s nothing different I want to do. I’m loving being with my grandsons. I have three grandsons and they’re all here, close to me. That’s an endless, endless joy for me. I lost my wife last year and I’m not doing well at all about that, but I don’t know who does. You do what you can do and you face what you have to face. I’m quieter than I was. I stay at home a lot. I have my daughters who have just been incredible. They call every day and come over. My younger daughter Kate lives in the same complex I live in. She likes to cook for me on weekends and I graciously accept. “More food? Oh no!” [laughs]

MR: Boy, wasn’t it a great time you all had together? How magical was that?

TP: It was magical. I miss so many people so badly, but that’s life.

MR: Do you recognize that you’re an icon?

TP: No. I deny it.

MR: Is that because you’re comparing yourself to other iconic figures?

TP: I don’t really compare myself, because I’m not going to look good if I do. [laughs] You know the poet Billy Collins? He’s fabulous. One of my Christmas presents was a book of his stuff. He has a figure in one of his pieces about going “Down the treacherous halls of high school,” and it just grabbed me. I just read it yesterday and I went back and looked it up again today. “The treacherous halls of high school.” What better adjective could you possibly find for high school than “treacherous?” I mean, the shit that happened in those halls. The damage to our psyches in those god damned halls of high school. [laughs] I don’t know what got me off on that but I just love that choice of adjective. Where were we? Oh, do I realize I’m an icon? No. I know that there are people, God bless them, who have really taken my music and made it their own, and I’m eternally grateful to that. That’s what I set out to do.

I wanted to make a difference in some positive way, and the way I found I could do that possibly was by creating songs. So the kind of songs that I created tend to be the kind of songs that people sing at camps and sing-a-longs, they’re not a string of hits or anything like that, but they are songs that have mattered to people and I’m very grateful for that. And I’m proud of it! I’m proud that I hung in there and kept writing my kinds of songs and had a wonderful time performing them. I’ve been a ham since the second grade in Chicago when I played Uncle Sam and they applauded and I thought, “God, I like that. I’ll have some more of that, please.” So I’m still Uncle Sam all these years later.

MR: Well, I am awed that you gave me an interview. You’ve made such wonderful contributions. If you don’t want to look at yourself as an icon at least look at yourself as someone who’s inspired many people. I think the culture owes you one.

TP: Aw, thank you. I’ll accept. Do they need my address? [laughs]

Transcribed by Galen Hawthorne

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A Conversation with Howard Jones

Mike Ragogna: Howard, what’s the story on your Engage multimedia project?

Howard Jones: I’m coming up to my sixtieth birthday and I wanted to challenge myself to something that I’d never done before and really push myself to do something special. I was thinking, “What do people love to do these days? They love to go to shows.” There’s not so much interest in recorded music, but people love to go to a show. So I was thinking, “How can I make an incredibly immersive, visceral experience with all the things that I love all mashed up together?” I love classical music, electronic music, pop music, cinema, contemporary dance, ballet and philosophy. I wanted to bring that all together into a live experience that the audience are very much involved in, so it’s built into it that they’ve got a role to play in the performance. I know that’s a lot of stuff to throw at you, but that’s where it all comes from.

MR: And I just know that phone apps, customized clothing and florescent makeup have something to do with this. Howard, what do phone apps, customized clothing and florescent makeup have to do with this?

HJ: Obviously, I start with the music, but I didn’t want it to have the same kind of form as a normal pop song, so I was kind of liberated from that. I was able to have different, more expansive musical structures. I worked with my friend Steven Taylor on the visuals that go with the show. As I was writing the music, we were trading ideas about how the visual should be. I wanted to have a ballet sequence in there, I wanted some of my passion for Steve Wright music in there and contemporary dance, so we filmed all of those things and came up with a concept in tandem with writing the music. Then the third big element is how to involve the audience as well, so I thought in this day and age everyone’s got a smart phone, we can use apps to broadcast things from the stage. That’s what we’ll be doing in these two shows. The most exciting development for me is that I’ve got my own app now, my own Engage app.

MR: What have you been doing over the last few years in addition to the new Engage concept?

HJ: Every three to five years, I do a new project. The last thing I did was an entirely acoustic album with a string quartet and a big choir. I wanted to write some intimate songs. The album before that was a very electronic album. I’ve tried to mix things up and follow what I’m really feeling at the time.

MR: You’re exploring the analog world with elements like ballet and philosophy to supplement your performances. How do you view the relationship between technology and, well, everything else?

HJ: One of the things of Engage is, “Okay, it’s great that we’ve got all of this amazing technology, but if we don’t watch it we’ll all just end up in a room on our own doing everything virtually.” One of the things of Engage is to remember that the best thing that we can do as a human being is to have face-to-face communication and dialog and interaction. Technology is great. For instance, this morning, I composed a piano solo for a Norwegian guy who was in Thailand. We did it over Skype. I interviewed him and had a dialog with him and then we composed the piece of music. That’s what we can do with technology, but we have to remember that the best thing is when we’re face-to-face. Let’s use technology to bring people together and not separate them.

MR: To be engaged in life.

HJ: Exactly.

MR: Engage has the implication of activating a machine, but really what you’re saying is it’s important to use technology to assist human engagement, not replace it.

HJ: I completely agree. I passionately believe in that, and that’s really the theme of Engage. But at the same time, we’ve got this wonderful technology, let’s use it. Let’s use it in a way that brings people together and excites their imaginations and points out all the great possibilities. That’s my thinking.

MR: As opposed to, “Oh my God, one day technology is going to rule us all!”

HJ: Exactly! I don’t subscribe to that kind of future. Nobody wants that, obviously.

MR: So you’ll have new material that’s associated with Engage but will you also feature older material?

HJ: Engage is a standalone piece that lasts for about thirty five minutes of continuous music. In fact, the release of it which is coming in February is one continuous piece, thirty five minutes long with transitions between the pieces. You’ll be able to download the individual tracks as well, but the actual work is the visuals and the music all together and it takes you on a journey for thirty five minutes. That’s the idea.

MR: Are you interested in revisiting your catalog in a way similar to Engage?

HJ: I’m only doing very few shows with Engage, and then the second half will be a retrospective of my previous work. I’m always trying to reinvigorate that. If you take “New Song,” the very first one, there’s a lot of it that’s out of time. I’ve corrected that now and it’s in the pocket. Also with the technology we have now we can make things sound so good live, there’s no excuse for it not being a good mix live.

MR: Do you occasionally have that thought, “What was I thinking? How come I didn’t hear this then?”

HJ: When I go back to those first two albums, it was just the limitations of the technology, really. The bass lines were played, most all of it was played, the drums were programmed and a few sequences were programmed, but the majority of it was played, so there’s going to be a bit of looseness there. Trying to sync everything up in those days was a nightmare, and it was a bit hit and miss. It still happens. Because we’re always trying to push the boundaries of the things we do live, things do crash. You just have to take it on the chin and find a way around.

MR: Some artists program their productions so intensely that you can’t picture it ever becoming a living, breathing song. Do you feel that some of your songs have benefited over the years from being removed from their original, programmed arrangements?

HJ: I’m very much into that. I sometimes do solo acoustic shows where I just play the songs at the piano, which is their most basic form. That really sheds a new light on them. Then also I work with my guitarist as a duo, or I’ve done things with brass sections and big acoustic bands that give a new life to the songs. I think it’s very important to do that, otherwise one loses interest in it oneself. Even with the electronic setup I very much try to mash things up together and create new sections and allow the music to have a life of its own. I’m not going to slavishly stick to the original recording.

MR: There are a lot of artists who feel that the original recording is the painting, but there are also those who feel like the composition continues to evolve as a growing child.

HJ: I don’t think I’m at the sort of extreme end of that thinking, because I’m aware that you can’t take it too far. There’s got to be certain key elements. “New Song” has got to have that synth riff that sounds roughly like that. It’s sort of cornerstoned the people to trigger the memory of that time. There are other things you can play with, the drum sound, the bass sound, the structure of the song. I’ve got technology that allows me to do harmonies live on stage triggered by midi. “Things Can Only Get Better” had a fantastic remix by Cedric Gervais. We start off with a song quite like the record and then go into the big room, house version of the song which is a lot of fun. I’m certainly open to that.

MR: Where are you as a songwriter now?

HJ: It’s almost about ignoring what you’ve done before. How do you feel? What subject matter comes up from the way that you are looking at the world? I’m aware that the biggest part of my audience is probably in their mid-to-late forties, what sort of things are they going through in their lives? All of those sorts of things are going through my mind. I think an artist should be reflecting the issues that are cropping up for my audience. The audience was garnered from those days in the eighties when they really supported me and they bought my records and I was on the radio all the time and all that stuff. I don’t think you can completely divorce yourself from that, but I think it’s very important to push yourself as a person and a writer, otherwise you’re neglecting your responsibility to your fans, who have invested a lot in you. I bear that in mind. I’m not one of those people who writes and doesn’t care about who’s going to hear it. I do care about who’s going to listen to it.

MR: Howard, what advice do you have for new artists?

HJ: I think that’s a very important question. I think about this a lot. I do try to help young artists and help them to get going and encourage them. One of the things that I’d say is whatever level that you can do your work at, you should do it. If that means that you play your music for a group of friends on a Friday night at a random mate’s house, then do that, because that’s being an artist. In the process of doing that, you will then discover if you really like doing it, if you’ll take it any further, which things work and which things don’t, and then you can develop it from there. But don’t think that you have to start by being on stage at Madison Square Garden. At whatever level you can do your work, do it at that level and it will evolve from there. And the second thing is, don’t compare yourself to anyone else. There’s always going to be somebody who’s way better at writing or way better at playing the keyboard or whatever than you, and there’s going to be a lot of people who are not going to be as good as you. Don’t take into account either of those, just do what you uniquely do. Just really believe in that. I know that’s hard, but that’s what you have to do and to stick to that, you have to constantly work on it. Otherwise, you just won’t do anything.

MR: [laughs] The fear of failure is paralyzing. Even the fear of success.

HJ: Yeah. I think mainly the fear of failure is the big thing, but you know, that’s what the battle always is for artists. We have to overcome it.

MR: Are you in a constant state of self-improvement?

HJ: Absolutely. It’s just central to me to try to improve as a person and as a human being, to improve the way that you interact with other and that you respect others. It’s a life’s work, but I really feel that that is such a great motivating force to get up every day and try and improve. Every aspect of one’s life, your great work, your dealings with other people, your health, try and really move it all forward.

MR: How will you Engage us in the future?

HJ: I’ve got a ten-year plan to do three more pieces related to engage. I want one to be about transformation, the next one to be about dialog and communication, and the third one to be about being aware of being a global citizen. I’ve just got some loose themes at the moment, and engage is the start of that process. So I’m giving myself a challenge to create those, and then in ten years’ time I’ll perform them all together. [laughs]

MR: As a global citizen, how do you feel the globe’s doing?

HJ: We’ve got huge problems, and everyone is very much focusing on the problems. I think it’s important to also remember all of the great things that are going on as well. An example for me is I attended a TEDx day in London on the weekend, it was like nineteen people talking about their lives and how they are making a difference in society. It was absolutely inspirational. It just reminded me, and I’m sure everyone else who was there, that there are all these great people doing amazing things and that we need to remember that, too. There’s problems, yeah, and we’ll solve them, but there’s also amazing, great people doing incredible things, too.

MR: If someone wakes up and immediately wants to change and evolve, what are a couple of things that person can start doing?

HJ: Wow, that’s a question. I practice Buddhism, so I chant every day to raise my life’s state and my outlook on life to a point where I’m trying to view everything as a potential possibility to create value. That’s what I do. I know there’s many ways of doing that, but I personally think it’s quite good to have a method and a strategy for developing a positive outlook on your life. That’s my way of doing it, I chant and I study Buddhism.

MR: And I imagine all of that has worked its way into Engage?

HJ: Yes, that’s right, it’s all in there. I tried to include the themes of respecting each other and cherishing the person in front of you, having dialogs with as many people as possible, creating friendships; I see those as the ways to change the bigger picture. If we make the change within ourselves and our environment then that spreads. That’s the most solid way of creating solid change. That’s my belief.

Transcribed by Galen Hawthorne

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A Conversation with Martin Sexton

Mike Ragogna: Martin, what was the grand plan behind your latest release, Mixtape Of The Open Road?

Martin Sexton: I set out wanting to make a concept record. It was going to be a bluegrass thing or a traditional rock thing or a vintage country thing, but as the songs came they pointed in twelve different directions, so I went with that flow where the concept is a mixtape. It has Nashville twang, bombastic rock, swingy jazz, folk, soul, and so on. 

MR: What are a couple of your favorite stories behind some of these songs and their creation?

MS: One of the first songs written for this record was “Remember That Ride.” My friend Ned Claflin had to twist my arm to write it with him. He came to me with the chorus about inventing and building this fantasy, futuristic, magical carnival ride. I just wasn’t feeling it, but because I have so much respect and faith in his ideas I took a little leap and went with it. As it sat in my notebook and on our work tape, it was just okay. Since I wasn’t that attached to the tune, I took a real departure production-wise from my usual singer-songwriter thing and just played it live with fuzz bass and distorted drums. That’s all it took to make this track practically sing it self. Take one was the magical take, and now I love the song. 

MR: Studio versus live, which kind of recordings do you prefer making?

MS: The short answer is I love them equally. The not-so-short answer is I enjoy the opportunity to create in studio. The temptation there is always to add more because you can, with all the tracks and technology available. To avoid that I try to keep everything live as possible when I’m in session.  For me this helps escape over-production or sterilization, allowing for mistakes that often times become favorite moments on a record. The live show is it’s own universe. The immediacy and spontaneity on stage with a thousand people singing in harmony is like church. And I’ve never attempted to duplicate the sound of a record live. I use the songs like monkey bars that I play on differently every night.

MR: Jackson Browne’s Running On Empty album was really a document of his time on the road as opposed to just being a “live” album. Just curious, what do you think about that album’s significance? Do you feel that you’ve created a prototype with this album that might inspire others?

MS:  I love that record. What has influenced me most on that is David Lindley’s lap steel playing. I find myself singing his lines when I scat. A lot of my vocal decoration–the notes I sing between phrases–I can attribute to his sense of melody. When I first met David and told him this, he just laughed and humbly credited Lowell George for influencing him. I’ve always been inspired by mixtapes given to me. Hopefully, this album will inspire others.

MR: You have been called fiercely indie. How has today’s music business realities changed or evolved how you approach rolling out your releases?

MS:  I’ve been indie since ’02. Wow, what a great time to be here. The digital era has really democratized the world in ways never seen before.  So many avenues have opened up in the past decade that allow listeners to decide for themselves what they want to hear, buy, or share. While my label (KTR) still rolls out records in a traditional fashion including physical units to retail with more and more vinyl, the combination of this with digital, streaming, radio spins, and touring keeps the music flowing better than ever. 

MR: What advice do you have for new artists?

MS: Frank Zappa said shut up and play your guitar. To that, I’ll add shut up and sing, remaining true to your heart all the way.

MR: Looking at your catalog to this point, how would you describe what you’ve created? Beyond Mixtape Of The Road, might you have a favorite album or song/recording that you’ve created?

MS: Chris Smither had it right when he said to me, songs are kind of like kids, some of them grow up and get an education and send checks home to daddy and some are still just flipping burgers, but I love them all equally. 

MR: Rumor has it you recorded a One Direction song. You recorded a One Direction song?

MS: Yeah, my daughter heard from a friend of hers that Harry Styles follows me on Twitter. She then dared me to cover a song. She played me “Story of My Life” and I really dug it so I did a homespun video of it to share on facebook and whatever, then recorded it during my Sirius XM session in New York the next day.

MR: What does the future look like for you? Any projects in the works or anything on the personal side you want to focus on?

MS:  The next year is pretty much charted out for me on the road working the Mixtape album. In addition to that I will be working on renewal and rebuilding and what’s most important, my family. We lost our home recently to a fire. Sometimes it takes catastrophic events to remind us what is most important. As we stood there and watched a lifelong collection of things go up in a massive fury of flames, all that mattered was that we were safe and alive. We are truly blessed, not only with friends and family, but fans who continue to inspire me with their love, support, and example of unity. They come from all walks of life, but set differences aside and show up with their beautiful voices singing as one.

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A Conversation with Chadwick Stokes

Mike Ragogna: Chad, what is The Horse Comanche’s origin story?

Chadwick Stokes:  I didn’t know when I when I wrote the song that there really was a horse named Comanche. I grew up with horses and love to ride so for me it’s a metaphor for being alive. The song looks into the departure of a cosmonaut from his lover.  

MR: What was it like recording with Sam Beam and how does his involvement affect your style or sound?

CS: He was great, very thorough and genuinely into the whole process. We delved into the meanings of certain songs and he encouraged me to do more finger-picking, less strumming.  

MR: Iron And Wine and Lucius guest on the album. Were there specific things you wanted them to bring to The Horse Comanche?

CS: I wanted Sam’s sonic sensibility–his albums with Brian Deck always sound great.

MR: One of the album’s featured tracks, “Mother Maple,” features interesting production elements like a choir and old sample machine. What was the creative process like for the whole project? 

CS: We wanted to make the best album that we could by exploring the potential that the musicians and studio had to offer and worrying about recreating it for the live show later. 

MR: “Our Lives Our Time” talks to intolerance. Is that part of your creative process, to inform as well as entertain? 

CS: Not really. I’m just singing about things that bother me, in that case, or inspire me in other cases. I guess if anything, I want to relate.

MR: From the artist’s own perspective, how does this album compare to your previous works?

CS: It’s just another chapter I suppose. Sam and Brian’s imprint probably sets it apart more than anything else.  Sam’s back up vocals are really special and Brian’s sound pallet is really varied.

MR: How do you ideally see your musical career commencing? Like, what’s the fantasy of your life about three to five years from now?

CS: I’d like to work on a rock opera/film that features different musician friends of mine. I’d like to play rallies and protests and contribute to the movement for peace and justice. I’d like to see gay marriage accepted everywhere, the national abolishment of the death penalty, stricter rules in gun acquisition and a higher minimum wage.  

MR: What advice do you have for new artists?

CS:  Give your music away and play as much as you can. And stay awake behind the wheel.

MR: What’s the best advice you were ever given and did you take it?

CS: Don’t sweat the small stuff, from actor Chad Everett by way of news personality Ron Simonsen, otherwise known as Dr. Ron the Actor. I’ve tried.

MR: Anything have your attention other than the new album?

CS: I have a 2-year-old and a 3-year-old at home who are keeping me busy. My wife and I also are involved in our organization Calling All Crows, which, this year, is focusing on women and children who have been displaced in Syria.

MR: Anything you want to say to Sam Beam right about now?

CS: I found your pen.

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A Conversation with Erik Deutsch

Mike Ragogna: Erik, for Outlaw Jazz, what gave you the idea to merge genres and what’s the story behind this album? 

Erik Deutsch: Hey Mike, nice to make your acquaintance. It’s fair to say that this album represents a lifelong journey, and that the merging of the country and jazz styles is a summary of my musical path, to this point. Although I was raised mostly in Washington D.C., my mother is from Nashville. In 1982 dad was offered a job there, so we picked up and left for 5 years–kindergarten to 4th grade for me. During my time in Nashville, I started piano lessons, heard country music everywhere, and attended performances by artists like Johnny Cash, Dolly Parton, Willie Nelson, Kris Kristofferson, Brenda Lee, Barbara Mandrell, and Waylon Jennings. I attended the Ensworth school, as did my younger brother, who became good friends with a classmate, Shooter Jennings. I occasionally found myself over at Shooter’s house, or him at ours, and sometimes crossing paths with his folks–Waylon and Jessi Colter. In third grade, we had a songwriting contest. I penned a ditty about a “hoopsnake”–a mythical reptile who bites his tail and rolls along like a wheel. I won the contest…and the prize? A songwriting session with a professional guitarist/songwriter, John Knowles, and a performance at the Country Music Hall of Fame. I count that as my first gig.

Fast forward 25 years to New York City. I hear through my old Nashville friends that Shooter has moved to New York, and that he’s looking for a studio to make some music. I put in a call to a friend and voila, a few months later, we’re sitting in my living room talking about making music and putting a new band together. Shooter and I hadn’t seen each other since grade school, but it can be easy catching up with old friends, and this was certainly the case. That led to two studio records with Shooter–Family Man and The Other Life, both of which I’m very proud, and a couple years on the road, including two visits to The Tonight Show and a performance on Letterman

We listened to endless music on the bus, with Shooter, Jon Graboff, and Tony Leone really schooling me with their knowledge of country musicians. I began to realize that there is a wealth of excellent guitar players who recorded instrumental country music (Roy Buchannan, Chet Atkins, Danny Gatton, Jim Campilongo, etc) but that the list of pianist who did the same is entirely too short. Thus the the idea for Outlaw Jazz was born… to make a record of genre-defying jazz music influenced by country rhythms, harmonies, and beats, with great players and singers, and little bit of outlaw attitude.  

I found a new label, Cumberland Brothers Music, in Nashville. It’s run by three gentlemen that went to the Ensworth School with Shooter and I, and we were off and running. 

MR: How did you pull together your guest roster that includes Shooter Jennings and Victoria Reed?

ED: Shooter, being such an integral part of the creation of Outlaw Jazz, had to contribute to the music. I chose to record the song “Whistlers and Jugglers” with him. It was written by Shel Silverstein, recorded by Waylon, and one that we had played on the road with Shooter on a nightly basis. It’s a beautiful, evocative song, that deserves a wider audience in my opinion.  

Victoria is an up and coming artist who everybody will probably know about in the next couple of years. She’s got a fantastic first album full of thoughtful, well-written songs that will be released sometime this year, and just spent the entire fall opening up for Citizen Cope on his US tour. I love female vocalists, and her performance on Bo Diddley’s “Dearest Darling” adds so much fun and life to the record.

MR: How was Outlaw Jazz recorded? How did the material come together?

ED: Outlaw Jazz was recorded at Mission Sound in Williamsburg, Brooklyn. I launched a Kickstarter campaign (my first) and found overwhelming support for the project from friends, family, and fans. The material came together like most of my records: a few songs that had been waiting to be recorded for a while, a couple choice covers to feature our guests artists and bring a recognizable element to the music, and a couple more originals that rounded out the overall concept and balance of the record.  

MR: Are there any moments on the album that you’re especially proud of?

ED: Fortunately, there’s quite a few! I love the rhythm section’s swing on “Outlaw Boogie”; the jam at the end of “Whistlers”; Jon Stewart’s sax on “Dearest Darlin”; the sense of space on “Wild Horses”;  and the overall execution of the trickiest song on the album, “Pickle.”  

MR: What do you think of the state of jazz these days? Who are some of your favorite contemporaries?

ED: I think jazz is in a great place musically, but a bit of a weird place culturally. There’s a great wealth of creative, intelligent, forward-thinking music coming out of the jazz community; jazz mainstays like Chick Corea, Herbie Hancock, Charlie Hunter, Fred Hersch, Bill Frisell, Wayne Shorter, Art Lande, Steven Bernstein, and Jon Scofield and continue to make relevant, progressive jazz music. Newer established artists are doing the same: Jason Moran, Brad Mehldau, Ben Allison, Ben Perowsky, Kneebody, Jenny Scheinman, Rudresh Manthappa, Allison Miller, Ron Miles, Myra Melford, Ben Goldberg, and Scott Amendola are some of my favorites.

Unfortunately, people aren’t sure how to classify the music, and aren’t especially good at listening to, buying, and supporting it either. Hopefully the extremely high quality of the art will catch up in popularity and ‘hipness’ in the eyes of the music world sometime soon.  

MR: Will Outlaw Jazz serve as a prototype as to where you’re headed with your material in the future?

ED: It’s hard to say to say right now what the next album will sound like, but I think this record is definitely more than just a “concept album”–it’s music that i’m feeling in my heart and really enjoying performing for and sharing with the listeners. 

MR: Erik, what advice do you have for new artists?

ED: Practice hard, pay tribute to the history of the music, always focus on the developing your personal sound, support your local scene and your peers, don’t worry about genres, and stay positive!  

MR: What’s the best advice ever given to you and did you take it?

ED: At a rehearsal with Ron Miles, I asked, “What should I play on this song”? He answered “I hired you, Erik… why would i tell you what to play? I’m interested in what you are hearing.” Great advice from a great bandleader… I always have it in mind. 

MR: What’s the plan after Outlaw Jazz?

ED: We’ll be playing shows all year to support the record, right now performances in NYC, Nashville, Toronto, Colorado, Mexico, California, Seattle, and DC are on the radar). Then on to the next challenge and hopefully some more good music!
Entertainment – The Huffington Post
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Taking a Cue from Food Trucks, Fashion Trucks Hit the Road

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If there’s one thing missing from a good food truck, it’s a pair of chandelier earrings and a colorful scarf.

I enjoy a good hunk of hamburger just as much as the next mountain lion, and I know that healthy food is essential to our ability to, you know, exist. But if given the choice to splurge on food or fashion, I’m going to pick the one with staying power. The one you can use over and over again.

I’m frugal like that.

You can enjoy tapas only once. But you can enjoy a new top dozens of times, depending on how messy you are with that hamburger and how masterful you are with the stain stick.

The food truck caravan has led to a new kind of mobile business: fashion trucks.

These boutiques on wheels began popping up around Colorado a few years ago but recently have picked up speed — so much, in fact, that fellow truckers are expecting about 10 new fashion trucks by this summer.

One of the newest (and one of my favorites) is The Street Boutique, which claims to be the first fashion truck in the metro area to specialize exclusively in trendy, reasonably priced women’s clothing and accessories.

Lindsey Trees, founder and owner, calls it a “mini Nordstrom in a truck.” And, in fact, she sells some of the same brands you can find in the high-end department store, as well as a few other European lines you can’t find anywhere else in the state.

Most clothes sell for $ 40 to $ 60.

Trees opened The Street Boutique in August and has focused her random and scheduled stops and private parties in Denver, but you’ll see her in Boulder and Broomfield soon, she says. Keep your eyes open for her teal and pink van near area malls, or invite her to your next girly gathering and get 10 percent of the sales in credit toward your purchases.

She doesn’t know of any Boulder-based fashion trucks, and findafashiontruck.com doesn’t list one.

One reason people don’t update their wardrobe is because they don’t have time to shop. Another challenge with shopping is that department stores can feel overwhelming, or people simply don’t enjoy shopping.

The fashion truck solves that by bringing a smaller, less-intimidating selection right to you.

sons for their popularity, according to Trees — is the cost to rent retail space in desirable Colorado locations.

“Instead of fronting 100 grand to get a store up and running, we could buy a truck on Craigslist,” Trees says.

Pearl Street alone has recently seen a string of high-profile closures of longtime shops, including the Boulder Army Store, whose owner cited both a decline in downtown shoppers and the price of rent among contributing factors.

In addition, Trees, a mother of two, says she needed a flexible schedule, not traditional “retail hours.” She parks her van at her house and can organize inventory and steam clothes right there after her children go to bed. She can close shop any time and pick up her kids at school.

But selling in different cities does require multiple tax licenses, she says. And since the industry is new, she and the groundbreakers still are carving out the niche. Trees says she tends to make more money at organized events than pop-ups. (Although isn’t the spontaneity of a fashion truck part of the allure?)

From a shopper’s perspective, Boulder stylist Marian Rothschild says she believes a fashion truck would be best for accessories, such as scarves, gloves, jewelry and handbags. But be wary of making bigger purchases without being sure how the clothes look on you in a mirror with good lighting.

“Be realistic about what you’re purchasing,” which might very well be “fast clothes off a truck,” says Rothschild, the author of the book Look Good Now and Always.

On the other hand, she adds, “It can be fun and easy, just like getting great deals from street vendors in funky neighborhoods of New York City. Who doesn’t love that?”

Trees says she’s glad more fashion trucks are emerging; she’s not worried about competition. Some shoppers still are cautious about the idea of buying their jeans in the back of a vehicle. The trucks do the best when there’s a group parked together.

“We definitely have a little mobile society going on,” Trees says.
Style – The Huffington Post
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Sheryl Crow’s Winding Musical Road

Last week I stumbled upon Variety‘s positive review of Diner, a musical running for a limited time at Arlington’s Signature Theater. The production, based on Barry Levinson’s 1982 film, Diner, teamed Levinson up with Sheryl Crow. For the first time, Crow has scored a musical, and the result is a sold-out show for seven weeks. As I read the review, I battled conflicting emotions: happy for the play’s positive reception and angry that I wasn’t on the East Coast to see it — disappointed that I’d miss this latest turn in Sheryl Crow’s refreshingly unpredictable and musically liberated career.

Sometime during the fall of 1993, I was driving home from middle school with my mom listening to WNEW, New York City’s now-defunct legendary rock ‘n’ roll radio station. At the time, it played mostly classic rock standards, but on rare occasions a contemporary artist would slip through into rotation. These were still the days when DJs could handpick songs for their shifts and, if a new artist filtered into sets of Led Zeppelin, Bob Dylan, the Rolling Stones or Eric Clapton, listeners noticed. I was sitting in the front seat of the car and had already begun flipping through my math homework when I heard Scott Muni’s gravely voice interrupt his daily 3 p.m. block of afternoon music. “This is the first time we’re playing this here on WNEW,” he began. I could hear him fumbling with the plastic CD case and flipping through the liner notes to read from the track listing. “She’s Sheryl Crow, a singer from California, and this is her single, ‘Leaving Las Vegas.'”

The drums started, a simple beat amid handclaps. But when Sheryl Crow started to sing, the crackling rawness of her voice broke the song open and out poured a barely optimistic tale of a woman whose desperation to leave one life behind allowed for splinters of hope to start anew. It was a mesmerizing sound, a captivating tale — and something that filled a critical void in contemporary music. By the early-1990s, I was conveniently flopping between two musical landscapes: grunge had exploded and permeated my school hallways, but having Baby Boomer parents, I also grew up on the musical greats of the 1960s and 1970s. When I heard “Leaving Las Vegas” for the first time, it was as if these two musical eras had collapsed into one.

A month later, when I bought Tuesday Night Music Club at the local record store, I felt as though I had finally found my music. The album was a whirlwind to listen to — a fluid trip through sounds and emotions that had the lyrical angst of the mid-1990s Gen X culture, but the music of a modern-day Big Pink. “The Na Na Song” spit out a force of cosmic-manic energy that somehow balanced “I Shall Believe” with enough poignancy to close the record with a pleading hymnal beyond just a gentle ballad. I’d listen for hours, painting pictures in my imagination of the characters in those songs. I promised myself that when I got older, I would travel through life to find my own set of characters — to grasp the excitement and adventure that Tuesday Night Music Club awakened in me.

For the next 20 years, Sheryl Crow’s music played against the background of my life, becoming a steady companion through adolescence and into adulthood. There was the summer after high school graduation when my friends and I sang along to “Everyday Is a Winding Road” as we whipped our cars around deserted country roads into the early morning hours. Or the night of September 11, 2001 when I left a candlelight vigil and cried in my car listening to “Riverwide” in the parking lot, too upset to drive. Or those endless months of 14-hour workdays when I walked home from the subway on cold, snowy Brooklyn nights listening to “There Goes the Neighborhood.” Or the day that I moved to Los Angeles and played “Long Road Home” while I carried boxes into a new apartment in a new city. Every album was like a new book with each song telling a unique story of a specific time and place — sometimes through the linear reality of everyday life and others through an existential journey of amorphous self-realization.

I thought about these memories as I learned more about Diner and read about the “delicious harmonies… enhanced by insightful lyrics” that Crow had written for the 1950’s rock musical. I wondered how, in this post-MTV age where it is rare for musicians to maintain careers beyond a flash of massive popularity, Sheryl Crow has navigated decades-long relevance within a swiftly changing musical and cultural landscape.

Sure, there’s the versatility of her songwriting — and years of touring and promotions. But, there is also a willingness to stray from any singular musical path that audiences have come to expect from Sheryl Crow. This freedom to take risks — to release a contemporary country album on the heels of a Memphis R&B soul album, to duet with Pavarotti, Loretta Lynn and Kid Rock — has led to one of the more winding musical paths of any singer-songwriter in the past 20 years. And somewhere along the way, audiences began to invest in the mystery of what twist may come next, because what is playing in a diner in Arlington today could become a new masterpiece tomorrow.

Diner will be playing at the Signature Theater in Arlington, VA until January 25, 2015.
Entertainment – The Huffington Post
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Darren Sharper — ROAD TRIP … Officials Ordered to Bring Prisoner to New Orleans

Pack your bags Darren Sharper … ’cause you’ve just been ordered to go to New Orleans!!!TMZ Sports has learned … a district court judge has ordered the L.A. County Sheriff to “surrender the body of Darren Sharper” to the U.S. Marshall so he can be…

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Pooja Kharbanda Discusses the 6 Shore Road Resort 2015 Collection

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6 Shore Road is a playful yet edgy swimwear and apparel brand that was founded by the renown designer, Pooja Kharbanda. Pooja was born in India, spent her childhood in Hong Kong and Panama City, Panama and infuses her design inspiration from old and new travels into her swimwear brand that transitions from day to night.

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The 6 Shore Road Resort 2015 collection consisted of warrior-inspired looks including high-waisted and cutout swim pieces, rompers, maxi dresses and beach cover-ups designed in vibrant tribal and floral prints in shades of neons and rich jewel tones.

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What was the inspiration for the 6 Shore Road Resort 2015 collection?

My collection was inspired by Nepal.

What hues and fabrics did you use in your Resort 2015 collection?

I used lots of orange and red hues and floral prints, as well as soft jersey and cotton fabrics.

What are your favorite looks in your Resort 2015 collection?

My favorite look in the collection was my opening runway look, which was a floral one-piece swimsuit with side cutouts.

I also loved our finale look, which was a stunning neon embroidered Tigress Kaftan accessorized with silver hardware, worn by Natalie Suarez, model/super blogger of Natalie Off Duty.

What’s next for your brand?

We are adding towels and are looking to expand into a few categories making 6 Shore Road more of a lifestyle brand.

Photo Credit: Joe Schildhorn/BFAnyc.com
Style – The Huffington Post
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The Albion Christmas Band – One for the Road – Rooksmere Records

This first live album from The Albion Christmas Band is a very welcome addition and possibly an antidote (to some elements of) to the festive period. Recorded live at the Kings Place in London
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Watch ‘Road Dawgs,’ A Mini-Documentary About Future Islands

In Road Dawgs, the members of Future Islands speak candidly about the group’s nearly decade-long career and its new-found success.

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Road to Recovery – Operation Change – Oprah Winfrey Network

Tune in for an all-new episode of Operation Change Monday at 10/9c.
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Yuval Roth began an organization in Israel that helps families secure medical treatment in Israel that they are unable to get at home in Palestine.

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A High Road & Soulshine: Conversations with Michael Franti and Night Ranger’s Kelly Keagy

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A Conversation with Michael Franti

Mike Ragogna: What gave you the idea to merge music with yoga for your Soulshine tour?

Michael Franti: I started practicing yoga on tour about thirteen years ago as a way to really just take care of myself as I was going in and out of airports and tour busses and doing shows and promotion and staying up late and eating bad restaurant food, et cetera. As I was touring I would practice at a different studio in every city that I went to in the world and I started inviting teachers and fans to come and practice with me before our shows, so we’d do it backstage or in a parking lot or in a park nearby. Last year, we played out at Red Rocks and we invited people to come in the afternoon before the show and practice yoga. We expected about two hundred people would be there and I believe two thousand showed up. We were really overwhelmed by this, so we thought, “This summer, let’s just do this at every one of our shows.” At every show on the Soulshine Tour, myself and some of the other artists will be playing acoustically in the afternoon and there will be a mass yoga class and then it will turn into a proper crazy rock concert after that.

MR: You have Baron Baptiste and Seane Corn as a couple of your yoga teachers. Did you already know them prior to the tour?

MF: I’ve known Seane and Baron for a while, many years now. They’re really inspirational in terms of the way they take yoga off the mat and into the world. I thought they’d be the perfect fit for this because whether you’ve practiced yoga for decades or whether it’s your first time on the yoga mat or whether you just want to come and hear some acoustic music and hear somebody that’s really inspiring speak both Baron and Seane and all of the other teachers really fit that bill.

MR: Is the connection between music and spirituality something you came to intellectually or just something you’ve always felt during your creative process?

MF: I’ve always felt it. I grew up playing music in our church when I was a kid. Most of the time, I didn’t really feel a connection to my heart, my body, my mind and the message that the church was delivering. It always seemed like this dichotomy that was there, but yoga is really the study of the self. We put ourselves into challenging positions and we learn to breathe through it and not become immediately reactive to everything that takes place in our lives. It’s something that really helps me as a father, as an artist, as an advocate for social change in the world, and even as a businessperson. Being able to focus and see the goal that I have ahead of me and be able to not be always in a state of panic and stress is what yoga has taught me.

MR: So far, you’ve had hit singles and albums and overall, an amazing career. Do you feel that it was more about intuition and following your own path as opposed to being molded by music biz standards?

MF: Yeah, for sure. I’ve always been somebody who wrote about the things I felt strongly about and made music because I thought it was exciting and it made a difference in my life. I’ve never really written songs that were just like, “Let’s see, what can we do that’s a hit?” or “What’s going to copy everything that’s out there?” I’ve never done that. Putting this tour together has been sort of the same thing, it’s just been a love of mine and I thought, I’ve loved yoga for so long, I’ve always combined it for the last thirteen years on tour, let’s just do it in a way that hopefully can get it out to more people.

MR: Is your band integrating the yoga as well?

MF: Two of the other members of our band practice yoga regularly, and all the other bands that are on the tour with me have members of the band that practice yoga, too. We’re hoping that through this tour we’ll get the other guys off their butts and onto yoga mats.

MR: I’m imagining guests like Brett Dennen are practicing yoga.

MF: Yeah. Brett is somebody who I’ve seen go through an amazing transformation in his career. He’s still a very young artist, but I met him when he was a teenager and saw him perform, and then for a number of years I think he went through the same thing every artist goes through when you start touring, eating bad food all the time, you’re out on the road all the time, you’re not getting enough sleep, and I remember seeing him and thinking, “Man, Brett.” He’d put on some weight, he wasn’t looking so healthy. Then, the next year I saw him and he’d started working out, changing his nutrition, practicing yoga, he really took it to heart. Now he’s one of the healthiest musicians that I know. It seems like an obvious thing, but it really isn’t. For those of us who didn’t get into music to get rich and retire, but who got into it because we admired John Lee Hooker and we admire the Rolling Stones and the other artists that have gone on and on and perservered, The Grateful Dead and artists like that who evolve and keep growing and changing, in order to do that you’ve got to be alive. I’ve just gone through some really intense times in my own family, my son who’s fifteen was diagnosed with a very rare kidney disorder, he’s lost fifty percent of his kidney function at age fifteen. As a family we’ve all taken it upon ourselves to say, “How can we best support our son?” but also we’ve gained a deeper appreciation for how fragile life is. I think that one of the great things about yoga is how it helps us to really look carefully at all aspects of our lives, the way that we treat other people, the way we take care of ourselves, the way that we treat the world.

MR: It’s almost like the band is having a spiritual experience on stage for the fans. Do you feel like that’s what’s going on?

MF: The word “spiritual” for me and for a lot of people means “religious,” almost, and I’d hate to compare what we do to anything religious because it’s still at the end of the day a rock concert. What I think is that all music, whether it’s mine or anybody else’s, opens a window to the soul. There’s times when our body feels run-down and our mind feels taxed and we feel like we can’t go any further, and it’s our soul that kicks in and goes, “You know what? You can love a little more. You can go a little bit further in this relationship, you can try a little bit harder.” That’s what music does. It’s amazing when you do that with large groups of people. The only other experience I can think of that compares to that is either a sporting event, it’s the World Cup and we’re all cheering for one team, but in the World Cup there’s always a loser. One team’s happy and the other team goes away feeling sad. But in music, everybody comes together in a field–we all dance, we shout, we sing, we throw our hands up and we let go of whatever it is that we carried in. I love to see people walk out looking like they’re standing a little bit taller, they have a little smile on their face, a little more ease in their life. That’s what I love about it most.

MR: With Soulshine, it seems like you’re expanding the concept of a concert with Michael Franti & Spearhead and friends to it being more of a lifestyle thing–you know, like going to a Dead or Jimmy Buffett event.

MF: Yeah, I think so. Just in comparison to when I first started touring twenty five years ago, we’d stop at gas stations on the road and try to find something healthy to eat and there were Slurpees and Big Gulps and burgers. The best thing that we could ever find at a gas station was like Saltine crackers and a can of sardines or something. But now you go all across the country and in every city, you can find independent grocers that are bringing locally grown food. You find people all across the country who are becoming more conscious of what they put into their body, what they consume, and the companies they support doing that. I think that’s the lifestyle that we try to encourage.

MR: Michael, what advice do you have for new artists?

MF: The main thing is to follow your heart and write music that means something to you. The more meaningful it is to you, the deeper it’s going to touch whoever it is that it means something to them. When I was just coming up in punk rock the lead singer of D.O.A, his name was Joey Shithead, we would always stay at people houses and we would ask at the end of the night, “is there some place to stay?” and they would always make us spaghetti or something and cook for us and let us sleep on the floors with our sleeping bags, and Joey said, “No matter whose house you stay at, make sure you always wash the dishes and they’ll always have you back.” I’ve always thought about that in every aspect of my life, no matter if it was the person at the check-in counter at the airport or if it was somebody who was helping us get all our guitars into the hotel or if it was the first fan in line at the show or the last bartender to leave at the end of the night. Always make sure that they felt like you treated them as if you were coming into their home. Leave their home in good shape. That’s what keeps artists able to have a job year after year with their fans, the venues, the labels, radio stations, whoever it is. Treat people with respect.

MR: Do you think picture Soulshine having an even broader reach next time out?

MF: Yeah, we hope that it can grow and that people will have a great experience this year that will take us into years to come.

Transcribed By Galen Hawthorne

2014-06-02-81dI41UM2dL._SL1427_.jpg

A Conversation with Night Ranger’s Kelly Keagy

Mike Ragogna: So is it true? Is Night Ranger truly back with a new studio album called High Road.

Kelly Keagy: What about that!

MR: It seems like you’re “Coming Home” with this one, Kelly.

KK: Hey, that sounds like a title! Let’s write that thing! [laughs]

MR: Yeah, and dude, there should be a premier video too.

KK: Not with that song, though. We did two videos a couple months ago for the single “High Road” and another one called “Knock Knock,” which is a harder track. But we were just guessing about the tracks so we just picked the first two songs. But we’re really excited about this record because I think we did some good work as far as the song. It took us a long time to do it because we started the record and then we went on tour. We’d come back every six weeks and go, “Oh yeah, we’ve got a record to finish!” We started out with about seven songs to begin with and then we’d come back to it and tweak it and just keep working on it throughout the summer and into the fall and finally we got to the point where we just wanted to give up—no, I’m just kidding. It was kind of a weird situation, doing a record and being on tour, but I’ve heard about it in the past happening on some classic albums.

MR: I’m imagining the tour also stimulated the creativity for the album.

KK: The thing is, too, it’s all-inclusive with this band. We’ve got to do it as good as possible, with all the energy that we have. The thing is, after thirty one years you try and figure out, “What are we going to write about?” We can’t still write about chasing women and driving fast cars. With this record it was good that we took a long time so we could go, “Yeah, this title isn’t great” or “This verse isn’t great,” or this guitar line or these changes in the song, let’s change it up and go back and redo the demos and figure out which arrangements work great and then do it for real.

MR: Exactly, the song becomes road tested.

KK: Yeah. The thing is, too, you just don’t know. When you’re in the middle of writing something you just don’t know. So the fact that you get a chance to go back and re-look at it a few times is a good thing. This band’s always been about the song, it’s always about having as good a song as possible, and if it’s not great then there’s got to be something musical that’s good about it. But usually it’s all about a good chorus and a good melody and something decent to say.

MR: Kelly, it’s now thirty-one years for the band. That’s an amazing thing, isn’t it? And Night Ranger seemed to have had hits right out of the box with “Sister Christian.” So it’s thirty-one years later, what do you think about all that?

KK: I think we’re so fortunate and lucky to have had a chance, because a lot of times bands don’t click with the public even though they might be amazing. There are so many bands that get a shot and it just doesn’t click. We’re so lucky to be able to have that happen with us, and like I said, the songs just seemed to click with the audience and make a connection. And that was all the touring we did and all the bands we were on with, KISS and ZZ Top and 38 Special and all those bands that broke our career. The three of us, Brad [Gillis], Jack [Blades] and myself had been together even longer than that. We were in another band together in 1977, ’78, ’79. We’d been together for a really long time. We know each other really well, we know what works musically and song-wise, we’ve just been very fortunate and lucky to have the three of us stay together and enjoy playing together as much as we do.

MR: Now I mentioned “Sister Christian,” but of course you’ve also collected hits in “When You Close Your Eyes,” “Rock In America,” “Don’t Tell Me You Love Me,” “Sing Me Away”… I think sometimes when you have such a monster hit, you get branded for that particular song. I think maybe Night Ranger took a hit because you had such a huge…well…”hit.”

KK: That’s what happens. It happens with a lot of bands, but we look at it as a blessing. It can be a curse as well, because people forget you’re a kickass rock band. I think that’s the driving force sometimes, when we play live we come out with that energy because we want to prove that we’re a kickass rock band as well as a hit act and can write hit songs. I think that’s the double-edged sword that you’re dealing with here.

MR: When you look at some of the people you’ve been hanging out with–Mötley Crüe and Ozzy Osbourne and all the guys you talked about before–how much are you influenced by these acts? Do you still find yourself being influenced by others’ music that you like?

KK: Absolutely! All the bands we played with were inspiration for us to continue, too, because all of those bands are still around, too. Early on we played with a version of Black Sabbath that had Ian Gillan in it and I just remember thinking, “Oh my God, Ian Gillan, man. Deep Purple.” Those were some of the early influences, Deep Purple with “Highway Star” and things like that. Those were kind of the inspiration for “Don’t Tell Me You Love Me” and uptempo, kickass rock songs like that. That was it.

MR: Kelly, take us on a little tour of High Road. In your opinion, what are some real classic Night Ranger moments on the album?

KK: I think what we did–and we did this on the last record Somewhere In California–we came in with a clean canvas with nothing on it. Usually what we do is we come in with songs, but this time it was just like musical bits. “Oh, I’ve got this riff,” “Oh, I’ve got this chord change for a chorus,” and that was it and we’d just start to build it from there and we would jam. We’d take a break and somebody would come back with some sort of groove or something. For the first two weeks or ten days, Brad and Jack and myself, that’s what we did. We just started to lay down things and keep the recorder going and record every bit and then we’d go back and listen to it. It was kind of interesting to start a record like that with no songs and then to end up with all these great songs and something to be proud of. It was really a unique experience.

MR: Was this approach different than how the other albums were made?

KK: Right, it’s totally different. Every album we’ve ever done except for the last two we’ve always had songs prewritten. This time the three of us collaborated on every single song and even the newer members, Eric Levy and Joel Hoekstra brought stuff. Joel came up with the riff for that song “I’m Coming Home,” and Eric Levy had the piano part to “Only For You Only.” We had a couple of things like that where they brought in some surprises.

MR: Do you think collaborations and what you’re doing these days rejuvenated the band? Is the band now a Night Ranger 2.0?

KK: [laughs] I think so, man. We were really surprised to, because we were out of our element at that point. We were like, “Where are the songs?” These are just musical bits. It allowed us to kind of jump outside of our comfort zone and realize this might be a new thing for us. The last record was really special to us, too, and then this one is even better as far as some of the musical moments in this album. It was really nice to realize, “Wow, this idea’s really working!”

MR: Perhaps when you started out, it was all about fast cars and women. But what do you feel are the main themes in your music now?

KK: You know, I just think that with a little more maturity, our perspectives just changed about life and relationships and stuff like that. We still like chasing women. We still like driving cars fast, that’s not going to change ever. What rock ‘n’ roll’s about is a good time, we’re still about that, we still love that, that’s what’s kept us going this whole time, we love life and where it’s taken us and we’re just going to stay on that. That’s really what life’s about anyway, trying to be happy. That’s what we’re trying to do, and we’re trying to bring the audience along with us.

MR: So you’re based in Nashville, Kelly. That’s quite a long way from San Francisco.

KK: [laughs] I moved out here about twelve years ago just because I wanted a change of scenery. I didn’t want to stay in LA or San Francisco. It wasn’t because I didn’t like it anymore, I just wanted a change. But I didn’t want to move to New York, which I love, I could live there in a second, I just wanted a change of scene. A lot of my buddies are out here, Mark Slaughter’s out here, some of my good old writing buddies, Bruce Gaitsch, some of these guys moved out from LA twenty five years ago and when I was ready for a change I just gave them a shout and said, “What’s going on out there?” and they said, “There’s a great community out here, good songwriters, a good creative community.”

MR: What advice do you have for new artists?

KK: I think that what’s kept us going, and I think it’s probably a rule is just to have a love of what you’re doing. You’ve got to have a love for the music that you’re playing and where you’re at that point in your career. I think that if you have a preconceived idea like, “I want to be a star,” then that’s good, you’ve got to have that a little bit, but it’s got to come from the heart, man. There’s got to be a good, solid base in wanting to be a good musician and a good artist, you know?

MR: Yeah though I think some TV shows like to glamorize a culture of celebrity rather than creativity, making it a bit confusing as to how to prioritize things.

KK: I just think that we all came up in those ranks of playing six nights a week in clubs for ten or twelve years and developed our style and played different styles of music. It’s a different world, but I think there are a lot of talented people out there, and I think that the media focuses on the pranks and the goofiness, which is entertaining, but that’s not going to hold my attention for too long.

MR: Where does Night Ranger stand in the metal world these days? Or do you think of Night Ranger as something a broader now?

KK: I don’t know, that’s really hard for me to say. We’re rolling along here, thirty-one years later. There’s still a lot of people that enjoy our music and that’s what we’re really about, that moment of trying to capture the audience and bring it in to us when we play live as well as with records. We want to see if we can keep our audience interested in what we do musically, lyrically, melodically. We’re really fortunate in that way that it’s still going on.

MR: What is the biggest surprise in the thirty-one years of Night Ranger?

KK: Our music still gets played on the radio, still gets put in movies and stuff like that. Rock Of Ages–the movie and the Broadway show–whoever thought we were going to be Broadway writers? What? Are you kidding me? That alone was a surprise. And the fact that we still go out on stage every night and totally play as hard as we can a hundred and ten percent, I just think that we still love it and there’s not going to be any time soon where we’re going to retire.

MR: Do you ever wander into a store or listen to the car radio and hear “Sister Christian” or any of your older hits, stop what you’re doing and listen?

KK: Oh, of course! A few weeks ago they had a version of “Sister Christian” on Grey’s Anatomy, this young lady Juliette Commagere did a totally new version of it, and the way she was singing it just struck me as, “Wow, this is kind of a new play on this song.” I’m totally blown away that the song has lasted this long and is still out there and still so able to be placed in movies and TV and people are hearing it in a different way. It’s pretty cool.

MR: Do you find yourself incorporating other people’s takes on your music at least into your live performances?

KK: Sure, all the time. We’ve had that song redone a few times over the last twenty years. A group back in the early nineties did a version of it and they added new lyrics into it and it was like, “Whoa, this is wild.”

MR: What does the future bring for Night Ranger?

KK: I hope that we just get a chance to keep making great records like this one and to turn the audience on to a new side of Night Ranger, maybe a little bit older but still as energetic as it’s ever been. I just hope that this record gets out there just so we can show everybody that Night Ranger’s a kick ass rock band.

Transcribed By Galen Hawthorne
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